[7] A quarter section, mathematically exact, is of course, square in shape. In our illustration the lower part of two lunettes is cut off.
We are somewhat at a loss to know just what mischief the baby in the next window has been plotting. He grasps with both hands a tall staff, which may be a hunting-spear, or perhaps a pole with which he hopes to reach the fruit. In some way he has managed to get both feet through the window, and is now in a precarious position, half in and half out. His companion tries to draw him in; but whether he is alarmed at the danger, or is himself eager to get the pole, we cannot tell.
The lunettes of the ceiling are painted in gray, framed in borders of sea-shells. They are made to simulate niches containing sculptured figures with some allegorical or mythological meaning. In our illustration we see first the figure of Chastity, holding in her right hand the dove, which is the emblem of innocence. The dress is the long, plain tunic seen in Greek sculpture, and the thin stuff of which it is made flows in graceful lines about the form. We are reminded of Milton's lines in "Comus:"—
"So dear to Heav'n is saintly Chastity,
That when a soul is found sincerely so,
A thousand liveried angels lacky her,
Driving far off each thing of sin and guilt,
And in clear dream and solemn vision,
Tell her of things that no gross ear can hear."
The next figure is similar in character and meaning. It is Virginity, holding in her right hand the lily, which is the symbol of purity. The other two figures, of which we see only the upper portion, are Fortune, with a cornucopia, and the helmeted Athena, with spear and torch.
At the death of the abbess Giovanna in 1574, the convent of S. Paolo entered upon a period of severe ecclesiastical discipline. For more than two centuries it was impossible for outsiders to gain admittance, and the "Sala del Pergolato" was a sealed treasure. Finally, in 1794, the Academy of Parma gained permission to examine Correggio's paintings. After the suppression of the convent the room was thrown open to the public, and the building is now used for a school.