DAVID. Academy of Fine Arts, Florence.

"And Saul armed David with his armour, and he put an helmet of brass upon his head; also he armed him with a coat of mail. And David girded his sword upon his armour, and he assayed to go; for he had not proved it. And David said unto Saul, 'I cannot go with these; for I have not proved them.' And David put them off him. And he took his staff in his hand and chose him five smooth stones out of the brook,... and his sling was in his hand: and he drew near to the Philistine....

"And when the Philistine looked about, and saw David, he disdained him: for he was but a youth, and ruddy, and of a fair countenance.... And the Philistine said to David, 'Come to me, and I will give thy flesh unto the fowls of the air, and to the beasts of the field.' Then said David to the Philistine, 'Thou comest to me with a sword, and with a spear, and with a shield: but I come to thee in the name of the Lord of hosts, the God of the armies of Israel, whom thou hast defied. This day will the Lord deliver thee into mine hand; and I will smite thee, and take thine head from thee.' ...

"And it came to pass, when the Philistine arose, and came and drew nigh to meet David, that David hasted, and ran toward the army to meet the Philistine. And David put his hand in his bag, and took thence a stone, and slang it, and smote the Philistine in his forehead, that the stone sunk into his forehead; and he fell upon his face to the earth. So David prevailed over the Philistine with a sling and with a stone, and smote the Philistine, and slew him; but there was no sword in the hand of David. Therefore David ran, and stood upon the Philistine, and took his sword, and drew it out of the sheath thereof, and slew him, and cut off his head therewith. And when the Philistines saw their champion was dead, they fled."[7]

[7] 1 Samuel, chapter xvii. verses 33-51.

This heroic adventure of David is the subject of Michelangelo's statue. The shepherd, having thrown off the king's armor, advances naked and unhampered, carrying only the sling flung across his back. The large muscular hand hanging by his side holds the piece of wood on which the sling is hung. It is the hand that wrenched the lamb from the lion's mouth and then seized the king of beasts himself by the beard. The left hand, poised on the shoulder, holds the centre of the sling where it bulges with the pebble. The youth scans the enemy keenly, marking the spot at which to aim. In another moment the pebble will be speeding on its way. His air of confidence makes us sure of the victory. Determination like this must win the day.

Critics of sculpture tells us that the statue of David must have been studied from a model of the age which Michelangelo imagined as that of the shepherd lad at this time. The figure is that of a growing youth, and although it is therefore not so beautiful as a type of perfectly developed manhood, it has a rugged strength which makes it one of the sculptor's most interesting works.