To give proper variety to this little collection, the selections are equally divided between portraits and “subject” pictures of religious or legendary character.
The Flora, the Bella and the Philip II. show the painter’s most characteristic work in portraiture, while the Pesaro Madonna, the Assumption, and the Christ of the Tribute Money stand for his highest achievement in sacred art.
ESTELLE M. HURLL.
New Bedford, Mass.
March, 1901.
CONTENTS AND LIST OF PICTURES
| PAGE | ||
| [Portrait of Titian. Painted by himself.] Picture from Carbon Print by Braun, Clément & Co. | Frontispiece. | |
| [Introduction] | ||
| I. | [The Physician Parma] Picture from Photograph by Franz Hanfstaengl | 1 |
| II. | [The Presentation of the Virgin (Detail)] Picture from Carbon Print by Braun, Clément & Co. | 7 |
| III. | [The Empress Isabella] Picture from Carbon Print by Braun, Clément & Co. | 13 |
| IV. | [Madonna and Child with Saints] Picture from Photograph by Franz Hanfstaengl | 19 |
| V. | [Philip II] Picture from Carbon Print by Braun, Clément & Co. | 25 |
| VI. | [St. Christopher] Picture from Photograph by D. Anderson | 31 |
| VII. | [Lavinia] Picture from Photograph by Franz Hanfstaengl | 37 |
| VIII. | [Christ of the Tribute Money] Picture from Carbon Print by Braun, Clément & Co. | 43 |
| IX. | [The Bella] Picture from Carbon Print by Braun, Clément & Co. | 49 |
| X. | [Medea and Venus] Picture from Carbon Print by Braun, Clément & Co. | 55 |
| XI. | [The Man with the Glove] Picture from Carbon Print by Braun, Clément & Co. | 61 |
| XII. | [The Assumption of the Virgin] Picture from Carbon Print by Braun, Clément & Co. | 67 |
| XIII. | [Flora] Picture from Carbon Print by Braun, Clément & Co. | 73 |
| XIV. | [The Pesaro Madonna] Picture from Photograph by D. Anderson | 79 |
| XV. | [St. John the Baptist] Picture from Photograph by D. Anderson | 85 |
| XVI. | [The Portrait of Titian] | 91 |
| [Pronouncing Vocabulary of Proper Names and Foreign Words] | 95 | |