She found herself in the carriage. She saw his face in the carriage door as pale as anger, yet not angry; it was some bigger thing that looked at her from his eyes. He looked a long while, as if he bade her never to forget this moment. Then, "I'll give you twenty-four hours," he said. "This man will take you home." He shut the carriage door—shut it between them. Before she had gathered breath he had straightened, fallen back, raised his hat, and the carriage was turning. Flora thrust her head, straw hat and ribbons out of the window.
"Oh, I love you!" she called to him. She sank back in the cushions and covered her face with her hands.
XVIII
GOBLIN TACTICS
For a little she kept her face hidden, shutting out the present, jealously living with the wonderful thing that had happened to her. It was as wonderful as anything she had dreamed might come when she had written him that letter. And if she needed any proof of his love, she had had it in the moment when he had let her go. There he had transcended her hope. She felt lifted up, she felt triumphant, though the triumph had not been hers. It was all his; he had saved her from her own weakness; his was the miracle. How he shone to her! The dark, swaying hollow of the carriage seemed still full of his presence, full of his hurried whispering; and again she seemed to see him standing outside the window in the deep blue evening holding out his hands to her cry of "I love you!"
He had been wonderful in a way she had not expected. He had shown her so beautifully that he could be reached in spite of his obsession. Might not she hope to touch him just a little further? Was there any height now that he might not rise to? She seemed to see the possible end of it all shaping itself out of his magnanimity. She seemed to see him finally relinquishing his passion for the jewel, and his passion for her for the sake of something finer than both. She had seen it foreshadowed in what he had done this day—having them both in his hands, he had put them away from him. Yet in that action she knew there had been no finality. She had touched him, but she had not convinced him, and as long as he was unconvinced he would be at her again in some other way.
Her hands dropped from her face, and she confronted the fact drearily. "No," she thought, "he never gives up what he wants."
She looked out of the window. The flickers of gas-lamps fell intermittently through it upon her. Her queer vehicle was rattling crazily—jolting as if every spring were at its last leap. She was out of the quiet, blue street. Montgomery Avenue, with its lights, its glittering gilt names and Latin insignia, was traveling by on either side of her. The voice of the city was growing louder in her ears, the crowd on the pavement increased. At intervals the carriage dipped through glares of electric lights that illuminated its interior in a flash broader than day—the ragged cushions, the raveled tassels, the limp-swinging shutters, and, glimmering in the midst, wild and disheveled, herself in all the little wavy mirrors. She sat looking out at the maze of moving lights and figures without seeing them, intent on an idea that was growing clearer, larger, moment by moment in her mind.