From here, looking down on the current sweeping past them, the little islands of black coats seemed fairly drowned in the feminine sea around them—the flow of white, of pale blue and rose, and the high chatter, like a cage of birds, that for the evening held possession.
"Ladies' Night!" Harry Cressy mopped his flushed face. "It's awful!"
Flora laughed in the effervescence of her spirits. She wanted to know, teasingly, as they mounted, if this were why he had brought two more to add to the lot. He only looked at her, with his short note of laughter that made her keenly conscious of his right to be proud of her. She was proud of herself, inasmuch as herself was shown in the long trail of daring blue her gown made up the stair, and the powdery blue of the aigrette that shivered in her bright, soft puffs and curls—proud that her daring, as it appeared in these things, was still discriminating enough to make her right.
She could recall a time when she had not even been quite sure of her clothes. Not Clara's subdued rustle at her side could make her doubt them now; but her security was still recent enough to be sometimes conscious of itself. It was so short a time since all these talking groups, that made a personage of her, had had the power to put her quite out of countenance. The women who craned over their shoulders to speak to her—how hard she had had to work to make them see her at all! And now she did not know which she felt more like laughing at, herself or them, for having taken it so seriously. For, when one thought of it, wasn't it absurd that people out of nowhere should suppose themselves exclusive? And people out of nowhere they were, herself and all the rest of them. From causes not far dissimilar they had drifted or scrambled to where they now stood. It was a question of squatter rights. The first on the ground were dictators, and how long they could hold their claim against invaders a dubious cast of fate. For there were for ever fresh invasions, and departures; swift risings from obscurity, sudden fallings back into oblivion, brilliant shootings through of strange meteors; and in the tide of fluctuation, the things that were established or traditional upon this coast of chance were mere islands in the wash of ocean. It was amazing, it was almost frightening, the fluid, unstable quality of life; the rapid, inconsequent changes; yet it was also this very quality of transformation that most stirred and delighted her.
And to-night it was not the picture exhibition, nor the function itself that elated her, but the fancy she had as she looked over the moving mass below her that the crowning excitement of the day, the vanishing mystery, hovered over them all. It was fantastic, but it persisted; for had not the Chatworth ring itself proved that the most ordinary appearances might cover unimagined wonders? Which of those bland, satisfied faces might not change shockingly at the whisper "Chatworth" in its ear? She wanted to confide the naughty thought to Harry. But no, he wasn't the one. If Harry were apprehensive of anything at all it was only of being caught in too hot a crush. He saw no possibilities in the mob below except boredom. He saw no possibilities in the evening but his conventional duty; and Flora could read in his eye his intention of getting through that as comfortably as possible. His suggestion that they have a look at the pictures brought the two women's eyes together in a rare gleam of mutual mirth. They knew he suspected that the picture gallery would be the emptiest place in the club, since to have a look at the pictures was what they were all supposed to be there for. That was so infallibly the note of their life, Flora thought, as she followed up the wide sweep of the middle stair, and along the high-ceiled, gilded hall whose open arches overlooked the rooms below.
The picture gallery was new, an addition; and the plain, narrow, unexpected door in this place, where all was high, arched, elaborate and flourished, was like a loophole through which to slip into a foreign atmosphere. This atmosphere was resinous of fresh wood; the light was thick with drifting motes; the carpets harshly new, slipping beneath the feet on the too polished floor; the bare bones of the place yet scarcely covered. But its quiet was after all comparative. There were plenty of people lingering in groups in the center of the gallery which was dusky, eclipsed by the great reflectors that circled the room, throwing out the pictures in a bright band of color around the walls. People leaning from this border of light back into the dusk to murmur together, vanished and reappeared with such fascinating abruptness that Flora caught herself guessing what sort of face, where this nearest group stood just on the edge of shadow, would pop out of the dark next.
She was ready for something extraordinary, but now, when it came, she was taken aback by it. It gave her a start, that toss of black hair, that long, irregular, pale face whose scintillant, sardonic smile was mercilessly upon the poor, inadequate picture-face fronting him. His stoop above the rail was so abrupt that his long, lean back was almost horizontal, yet even thus there was something elegant in the swing of him—in the careless twist of his head, around, to speak to the woman behind him. The light above struck blind on the glass in one eye, but the other danced with a genial, a mad scintillation. The light of it caught like contagion, and touched the merest glancer at him with the spark of its warm, ironic mirth. The question which naturally rose to Flora's lips—"Who in the world is that?"—she checked; why, she didn't ask herself. She only felt as she followed Clara, trailing away across the floor, that the interest of the evening which had promised so well, beginning with the Chatworth ring, had been raised even a note higher. Her restive fancy was beginning again. All the footlights of her little secret stage were up.
Clara turned to the right, following a beckoning fan, and Flora, dallying with her anticipation, reasoned that now they must circle the room before they should face him—the interesting apparition. It was a pilgrimage of which he on the other side was performing his half. Perfunctorily talking from group to group, conscious now and again of the lagging Clara or Harry, she could nevertheless keep a sly eye on the stranger's equal progress. The flash of jet, and the voluble, substantial shoulders of the lady so profusely introducing him, were an assurance of how that pilgrimage would terminate, since it was Ella Buller who was parading him. She even wondered before which of the florid pictures at the far, other end of the room, as before a shrine, the ceremony would take place.
She kept her eyes fixed on the paintings before her, and as she moved down from one to another, and the voices of the approaching group drew nearer, one separated itself from the general murmur, so clear, so resonantly carried, so clean-clipped off the tongue, that it stood out in syllables on the blur of sound which was Ella Buller's conversation. It had color, that voice; it had a quality so sharp, so individual that it touched her with a mischievous wonder that he dared speak so differently from all the world about him. Then, six pictures away, she heard her own name.
"Why, Flora Gilsey!" It was Ella's husky, boyish note. "I've been looking for you all the evening! How d'y'do, Harry?" She waved her hand at him. "Why, how d'y'do, Mrs. Britton? I wouldn't let papa go to supper until I'd found you. 'Papa,' I said, 'wait; Flora and Harry will be here.' Besides," she had quite reached Flora's side by this time and communicated it in an impressive whisper, "I want you to meet my Englishman." She looked over her shoulder, and largely beckoned to where the blunt and florid Buller and his companion, with their backs to what they were supposed to be looking at, were exchanging an anecdote of infinite amusement.