3
An Intimation comes to Doll that some Infernal is about. She believes that he whom she (in wicked abomination) worships will soon send sign to her.
On a morning she awoke, knowing she must go to Greene’s house. ‘I must see Goody Greene,’ she thought. ‘I must talk to Goody Greene.’ She left the pots unwashed, the room unswept. She put on neither coat nor hat, but went as she was, for the day was warm. Now the new year seemed to promise great things, and she felt confident these things she would find. There was every happiness close to her, hiding, waiting to be found. Through these pleasant and cheerful thoughts came racketing the clangour of a brass bell and the terrible blasting of a fish horn, and the voice of man (in this case the voice of the town crier) tolled out to her and to all the world those things that were lost.
Mr. Minchon, the crier, put the fish horn under his arm and took the brass bell by the clapper.
‘Gone away!’ he cried. ‘Gone away! Gone away! Four pirates from the Boston Jail, one day before their trial. Calico Jack and Black Pig Murch, Ben Bottle and the Bloody Shad. Likewise, from the pasture of Deacon Thumb, one priceless bull known to you all, the young bull Ahab.’ (Ding-dong! Ding-dong!)
‘Lost or stole, lost or stole, a wallet and the money in it of Captain Tom Buzzey, for he put it on the tavern step, turned, and it was gone. Lost or stole, the wallet of Tom Buzzey—a wallet with the money in it.’ (Ding-dong!) Mr. Minchon, blowing again upon his fish horn, took himself and his sad news of things lost or things stolen to the next street corner; there, having gathered a crowd about him, he proclaimed again. He moved again and yet again. Knowing the matter of which he spoke, Doll could even at a long way recognize the names of the four pirates, for he always began with full lungs, so she heard four times the crying out of these names, Calico Jack and Black Pig Murch, Ben Bottle and the Bloody Shad, but of Captain Buzzey’s loss she heard but once, for Mr. Minchon arrived at it with spent ardour and small voice. Doll continued on her way to Greene’s hut.
Between the house of Mr. Zelley and the House of God, she met seven Indians who walked the one after the other, with feet silent as panther paws. They were dressed in the paint and regalia affected by their chief men, in the hope of giving to their persons, by external and childish methods, that true dignity which never can come from without but arises only from the soul. The Indians passed (as they always do) without so much as glancing at the white woman, but she gazed hard upon them, thinking that perhaps they really were devils—as many ignorant people then believed—and that the sign or messenger which she had come to look for constantly would be from them. As she watched, a feather floated or rather seemed to be lifted from the headgear of one of these, and, after wavering a second, it came to rest at her feet. This was a scarlet feather with a yellow tip to it. She stooped to it, and hid it in her bosom, looking longingly after the seven chief men, thinking that having vouchsafed her this favour they might sign her to follow them. They did not.
She went her way, but she went exulting, with red cheeks and smiling mouth. The young men she passed at the tavern drew back that she might not cast a roving eye upon them and desire them, for they all knew of the bewitchment by which she had afflicted Thumb. They guessed, by the unaccustomed red of her cheek and the sparkle of her eye, that (spring having come again) she was wandering about looking for a new young man to devour. The young men stood back; Doll went her way.
She came to the waste marshes by the sea on which sat the tinker’s hut. She rapped on the door and cried out her own name. The woman did not call ‘Come in,’ as was usual, and Doll heard rustlings, whisperings, tramplings, within. She thought how this woman, like herself, was a witch. Her heart beat quicker with the (to her) delightful thought that perhaps at that very moment she had discovered Greene in confab with some fiend spirit or familiar, and that was why the door was not opened to her, that was why there were rustlings from within. Then Goody Greene opened the door and with her usual affection drew the girl into her miserable house, kissed her, and put out the stool, a jointstool, for her to sit on. Greene went on with her own business which was concerned with sorting out into heaps dried toadstools and mushrooms.
Doll stared at her and saw how hard the pulse throbbed in the old woman’s neck, how her hands shook at her work, how again and again she swallowed as if choked by an oppressive secret. But the girl could not tell the woman she thought her a witch and say, ‘I would like to see the familiar I know must be close by,’ for the moment she stopped upon the threshold she was aware that she and the goodwife were not alone. She could feel the air tremble about her; she could almost hear it, all but see it. It was there, close in the one room of the hut, with them. It had not flown at her coming; it had hid itself. She saw that the hangings upon the bed were drawn. ‘It is yonder,’ she thought; ‘the fiend hides in the bed behind drawn curtains.’ She was sick with fear, but her hopes rode high. She took from her bosom the feather the Indian had dropped. What did Goody Greene think of the feather? Greene said it was a bright and pretty feather, and proved the Indians to be more skillful than we in dyeing. But did it mean nothing more to her than that? No, nothing more. She put it back into her bosom. What would Goody do with so many fungi? She would mix them with snake fat and cure rheumatics. She said she did not know snakes had any fat. Greene said that any distillation from flesh was called ‘fat.’ Then they sat for a long time without speaking.