“Tables in general,” we learn, “are made of the best mahogany. Their size is various but their height should not exceed 28 inches.”
“Card-tables may be either square, circular or oval: the inner part is lined with green cloth; the fronts may be enriched with inlaid or painted ornaments; the tops also admit of great elegance.”
Specimen card-tables are shown on Plate [LIV.], Nos. 2 and 3. Pembroke tables are the most useful of this species of furniture; they may be of various shapes. The long, square and oval are the most fashionable. These articles admit of the greatest elegance in the workmanship and ornaments. The tops “are inlaid, painted or varnished.” A beautiful example is shown on Plate [LV.] This table is supplied with a drawer below the top, the leaves of which fall at the two sides of the drawer.
Heppelwhite made a great variety of other tables, such as “tambour writing tables,” “night-tables” shaving-tables, and dressing-tables of all kinds. His dressing-tables were the result of much thought. In them we see the convenient mechanical and folding arrangements that Sheraton carried so far in his various devices. In one of Heppelwhite’s dressing-tables, the drawer is divided into compartments for pins, combs, essences, etc., and the looking-glass rises from the drawer on hinges, or it can be made to lie flat. “Rudd’s Dressing Table” also appears, which Heppelwhite says is “the most complete dressing-table ever made, possessing every convenience which can be wanted; or mechanism, or ingenuity supply. It derives its name from a once popular character, for whom it was reported it was invented.” Here the drawers can be made to swing around in any desired position, and the looking-glasses also swing on pins after they are elevated.
Another ladies’ dressing-table is a simple table, the slab of which lifts up or can be opened out. In the centre of it is the dressing-glass which can be made to rise and stand. Around it are little compartments for articles of the toilet. Then he makes also what he calls dressing-drawers. This is an “ordinary chest-of-drawers, one drawer of which is fitted up as a dressing-drawer.” Some varieties have serpentine fronts. Two of his mahogany bason-stands appear as Nos. 1 and 2 on Plate [LV.] Hanging-shelves for books or china are made of mahogany and are suitable for ladies’ rooms.
Commodes are often richly inlaid; some of them indeed are made of satin-wood and are shaped like half a drum. Chests-of-drawers, double chests-of-drawers and wardrobes are of the plainest forms and made of plain mahogany with a simple ring handle or knob.
The long bookcase of the type on Plate [XXXIX.] Heppelwhite calls library case. Describing these, he says: “They are usually made of the finest mahogany; the doors of fine waved or curled wood. May be inlaid on the panels, etc., with various coloured woods. The ornamental sash bars are intended to be of metal which, painted of a light colour, or gilt, will produce a light, pleasing effect.” The dimensions are determined by the place where it is to stand.
The dimensions of Heppelwhite’s desk and book-case are length, 3 feet, 6 inches; depth, 22 inches; height of desk, 3 feet, 2 inches, including 10 inches for the inside of the desk; total height about 6 feet; depth of bookcase, about 12 inches. These are “usually made of good mahogany. The drawers and internal conveniences admit of much variation. The designs show three different ways of making them: the patterns of the book-case doors may also be very much varied. On the top, when ornamented, is placed between a scroll of foliage, a vase, bust, or other ornament which may be of mahogany, or gilt, or of light-coloured wood.”
A tambour writing-table and bookcase appears on Plate [LVII.] This requires little explanation except to note that it has three drawers and a cylinder tambour shutter that rolls back and reveals all the pigeon-holes, nests of drawers and writing-table, while the upper part consists of shelves enclosed by two doors.
Of the latter, Heppelwhite says: “Tambour writing-table and bookcase, the doors to which are intended to be made of and ornamented with metal frames; these painted of a light, or various colours, produce a lively and pleasing effect. The reeds are here drawn forward to shew the appearance when shut.”