“If it isn’t rented you must go into it,” she told Kate. And then she described the rooms for her and all the important events that had happened in them. Aunt Katherine’s big newer house she hardly spoke of at all, for Kate herself was so soon to see it and know all its corners.

All the planning and sewing and the long intimate conversations about Katherine’s girlhood and bits of family history that Kate had never heard before, kept her right up to the eve of departure occupied and excited. But as bedtime approached that night she began to be shaken by unexpected qualms. She had never before been away from her mother for even one night and they had always shared adventure. That now she was actually to go off by herself into an adventure of her own seemed unnatural and almost impossible.

They were sitting on the bench out beside the big front doors, breathing in all the cool night air they could after the last hot and rather hurried day. Their faces were only palely visible to each other in the starlight. They had been silent for many minutes when Kate said suddenly, and a little huskily, “Mother, may I take the picture of the boy in the silver, flowery, dragony picture frame along to Oakdale with me to-morrow? He’s a sort of talisman of mine.”

Katherine was used to Kate’s abruptnesses and seldom showed surprise at anything anyway. But now she did show surprise, and the voice that answered Kate quivered with more than surprise.

“The silvery, flowery, dragony picture frame? And the boy? What do you know of him, Kate?”

“Why, he’s always been in the little top drawer of your desk. He’s always been there. I’ve never told you how much he meant to me. I’ve made it a secret. But I’ve known him just about as long as I can remember. I was an awfully little girl and had to climb on to a chair at first to see him. But I didn’t climb to look often. I saved it for—magic. When something dreadful happened, when I was punished or lessons were just too hateful, or you were late coming home, then I’d climb up and look at that boy in the frame for comfort. I think it would be very comfortable to have it with me along with your picture, Mother.”

Katherine did not answer this for some time. She stayed as still as a graven image in the starlight. Finally, without moving at all, and in a voice as cool as starlight, she asked, “But why did you make it a secret? I don’t understand a bit. I didn’t know you even knew there was a little upper drawer. It’s almost hidden, and there is a secret about the catch. You have to work it just so.”

“Yes, I know. And I can’t remember how or exactly when I discovered how to work it. At first, I do remember, it was just the frame I loved. It is a little wonder of a frame! The silver was so shining, and then the flowers and the fruit and the dragons are all so enchanting. I traced the dragons with my finger over and over and played they were alive. I thought it was too mysterious and lovely, all of it! It fascinated me in a way I could never tell you.”

Katherine remained silent and Kate went on: “It was only when I was older I began to look at the picture and feel about that so strangely. I discovered what a wonderful face that boy has. I pretended he was the Sandman, the one who gave me my dreams at night. I always had such wonderful dreams, Mother! Remember?”

Katherine did not answer, and Kate felt somehow impelled to go on. She was surprising herself in this account of past childish imaginings. She had never thought about it in words like this before.