To stand on one of the bridges and watch the ceaseless ebb and flow of the changing stream of life, is a dream of delight, only to be compared to standing on the Bridge of Galata at Constantinople. Blue-coated coolies, with their bare brown legs, roped to heavy carts, with their encouraging grunts; itinerant sellers slung with bamboo trays of vegetables; jinrikishas by the hundred, pedestrians jostled from side to side, closed sedan chairs, from behind the curtains of which peer out priests whose way is cleared by running attendants, for it is a day of ceremony, with much coming and going from the temples—all this kaleidoscopic stream, accompanied by the warning cries, and the dull thud of the echoing wood pavement, is what we see. And then look up and down the river, with a vista of bridges, and see the irregular mass of brown houses, winding round the bend of the stream, with poles on the roof, hung with waving blue cottons, placed there to dry, and the overhanging balconies, from which men are fishing. And then the scenes of river life—the brown shiny figures bathing and plunging in a cool bath, the hundreds of sampans moored by the banks, where reside a large aquatic population, and the high-peaked prows of others, which, propelled along by six oarsmen, again remind one of the gondolas of Venice. There are other sampans, which, with one square brown sail set, come skimming down the canals before the afternoon breeze. Yes, Osaka is a charming place, and these river scenes passed in crossing the bridges, add to the never-ending joys of the dark, narrow streets, compressed on to the restricted peninsulas of land.
Having done our duty by the arsenal, and to our good constituents at Sheffield, we sit out and have tea on the balcony of the hotel, and then go for a prowl in the dusk round the streets.
Then succeeded one of those lovely evenings. I shall never forget those sunsets and twilight evenings, with their pale, washed skies, that we had in Japan. They only last for a short half hour, but they are entrancing. If you watch carefully, you may see the shadows lengthening, but after the brightest and hottest afternoon, suddenly the colour of the sun seems to go out of everything, and in its place steal up soft shadows, the vista of streets grow dim, and darkness falls into the little open shop fronts, whilst the sky is suffused with the palest wash of lilac or saffron. The jinrikisha bulbous lights come out, one by one, like glow-worms, and the single lamp lights a dark interior. And then as we pass across some street, which lies to the west, we see a blaze of orange, lying low on the horizon, where the sun has just dipped. It becomes cold and chilly for an hour, and then begin the fairy scenes of night, in a Japanese town.
It is an hour in the train from Osaka to Kobe, where we arrived at eight o'clock.
Kobe is a pretty seaport, girt round, close at hand, by great mountains, up into which the streets run. It is too cosmopolitan and European to be very interesting. But from the handsome Oriental houses, with their pale buff and grey tints, the deep balconies with green blinds of the foreign consulates on the Bund—from the curio shops, Europeanized like Yokohama, you can pass into the quaintest and brightest native bazaar, where from feeling yourself in Europe (especially if you are staying at the French Oriental Hotel), you can suddenly plunge back again into native Japan. We find the steamer of the Nippon Company in quarantine, by reason of a cholera death on board and coming from Shanghai, an infected port; so we have to wait for two days.
On one afternoon we went up to the waterfall in one of the green mountains, crowned with straggling pine trees, to see sunset over the harbour. After having hovered round and inspected half the gold Buddhas for sale in Japan, now that we have reached the last place of departure, we have at length bought one. Of course, directly we had done so, we immediately saw a much better one in an adjacent shop. I cannot help feeling that it is a matter for thankfulness that we are leaving this seductive country, not ruined, it is true, but greatly impoverished!
I was glad that to the end the enchantment continued, and we shall carry away the memory of that last evening in Japan on board the Japanese Mail Company's steamer, the Saikio Maru. This line is excellent and the ships the perfection of comfort.
We saw the sunset from the deck, behind the peaked mountains of Kobe, with their dragon-armed fir trees outlined atop, and against the hundred masts of a fleet of sampans, the pale grey-green sky so deliciously soft and milky. There was a little white Japanese man-of-war mysteriously covered over, and ships of all nations coming from all parts of the world, in port; and from over the dark waters of the harbour, comes the low crooning chant from the sampans, towing in a huge junk.
As the darkness gathered the lights from Kobe, came out against the sable background of lofty mountains clustering thickly along the Bund, and reflecting shining dots in the water, whilst arcs of light march up the ascending roads. Black monsters, marked by red and green eyes, are darting about the harbour, whilst puffing steam launches, black lighters, and oar-propelled sampans are dimly seen. Over this bewitching scene rises a crescent moon, with a trailing path of silver on the waters, and in our last view of Japan, as is only right, there are the jinrikisha lights on shore, drawn by their patient human horses, their soft quivering lights running swiftly, hither and thither, up and down.