On the other hand, we have taken care not to turn a deaf ear to tales in legendary shape. A legend, and above all, an Oriental legend, is an incomparable means of expression. It serves to paint mere facts in lasting colours and make them stand out in bold relief, far removed from the icy and so-called impartial account of an up-to-date reporter.
Our readers, enlightened by the foregoing warning, must therefore not let themselves be the victims of the numerous errors committed by Hellenism, Latinism and Scholasticism, when interpreting "literally" the sacred books of the East, while beneath seeming magic allegories scattered here and there in this narrative, will easily be discerned realities, poetically transposed, but not at all disfigured by the imagination of the Arabs.
With still more reason, the Qur'an should be read in the same way, for is it not written: "God setteth forth these similitudes to men that haply they may be admonished." (The Qur'an, xiv, 30.)
It may also seem strange that in the illustrations accompanying the text, no portrait of the Prophet will be found, nor any picturing of events in which he figured as the hero.
And this is why: being sincere Moslems, we do not want to run counter to the true principles of Islam, far less hostile than is supposed to the portrayal of mortals' faces, but strictly forbidding the image of the Divinity, considered to be rank blasphemy leading to idolatry more or less disguised. To represent the likenesses of the Prophets is to belittle them inevitably and sacrilegiously.
And after all, in the eyes of the Believer, what does the prim effigy of one of God's messengers on earth, however marvellously painted, look like in comparison with the sublime idea that the mind of the Faithful creates, under the influence of fervid faith? This has been so well understood by certain Persian painters of miniatures, that, having to sketch Mohammad in the varied phases of his nocturnal ascension, they veiled his face entirely, because they found themselves powerless to picture it, and feared also to impair features so revered. There is no greater proof of their intention than the meticulous care with which in the same pictures all other faces are treated, including that of Buraq, the winged steed with the head of a human being; and also the lineaments of the angels in the celestial procession.
In place, therefore, of an imaginary portrait and necessarily falsified drawings, we have adopted a more indirect style of illustration, but by its means we hope to have succeeded in evoking a few lights and shadows, undoubtedly emanating from the superman who came into the world at Makkah (Mecca).
His features, solely known by the descriptions of those who penned his history, appear to us dimly through a gauzy veil of dreamland that we shall not try to rend asunder, for behind this mysterious filmy mask, the sacred lineaments will enjoy the rare and precious advantage of not having been spoilt, like so many others, by impossible attempts of pictorial reconstitution. On the other hand, his ways and doings have been brought down to our own times, with religious fidelity, by three hundred millions of disciples, scattered all over the earth's surface.
The constant thought of all Moslems, of whatever race, is to imitate in everything, in the most humble as well as in the highest, of life's functions, the habits of the Prophet whose image is engraved in their hearts. And this is so true, that simply by the way in which he washes his hands, the difference can be seen between an Arab Moslem and an Arab Christian.
Looking upon true Believers going to and fro, we consequently view the movements of Mohammad. It is but a pale reflection, but nevertheless incontestably authentic; whereas, despite the perfection of their statues, the Roman Emperors can only offer to us their limbs and faces, stiffened in attitudes of awkward pride; remaining as corpses that our imagination is powerless to resuscitate.