The girl held her breath through the splintered seconds. She thrilled at the shock and storm of them, straining muscles and white hoofs, lurching, stumbling, sliding, lunging, careening in perilous arcs. She saw stones that rolled with them or bounded after; a sombrero whirled above the dust and tumult like a dilatory parachute; a six-shooter jolted up into the air. Through the dust-clouds there were glimpses of a watchful face, hair blown back above it; a broken rein snapped beside it, saddle-strings streamed out behind; a supple body that swung from curve to easy curve against shock and plunge, that swayed and poised and clung, and held its desperate dominion still. The saddle slipped forward; with a motion incredibly swift, as a hat is whipped off in a gust of wind, it whisked over withers and neck and was under the furious feet. Swifter, the rider! Cat-quick, he swerved, lit on his feet, leaped aside.
Alas, oh, rider beyond compare, undefeated champion, Pride of Rainbow! Alas, that such thing should be recorded! He leaped aside to shun the black frantic death at his shoulder; his feet were in the treacherous vines: he toppled, grasped vainly at an acacia, catapulted out and down, head first; so lit, crumpled and fell with a prodigious splash into the waters of the pool! Ay di mi, Alhama!
The blankets lay strewn along the hill; but observe that the long lead rope of the hackamore (a “hackamore,” properly jaquima, is, for your better understanding, merely a rope halter) was coiled at the saddle-horn, held there by a stout hornstring. As the black reached the level the saddle was at his heels. To kick was obvious, to go away not less so; but this new terror clung to the maddened creature in his frenzied flight—between his legs, in the air, at his heels, his hip, his neck. A low tree leaned from the hillside; the aërial saddle caught in the forks of it, the bronco’s head was jerked round, he was pulled to his haunches, overthrown; but the tough hornstring broke, the freed coil snapped out at him; he scrambled up and bunched his glorious muscles in a vain and furious effort to outrun the rope that dragged at his heels, and so passed from sight beyond the next curve.
Waist-deep in the pool sat the hatless horseman, or perhaps horseless horseman were the juster term, steeped in a profound calm. That last phrase has a familiar sound; Mark Twain’s, doubtless—but, all things considered, steeped is decidedly the word. One gloved hand was in the water, the other in the muddy margin of the pool: he watched the final evolution of his late mount with meditative interest. The saddle was freed at last, but its ex-occupant still sat there, lost in thought. Blood trickled, unnoted, down his forehead.
The last stone followed him into the pool; the echoes died on the hills. The spring resumed its pleasant murmur, but the tinkle of its fall was broken by the mimic waves of the pool. Save for this troubled sloshing against the banks, the slow-settling dust and the contemplative bust of the one-time centaur, no trace was left to mark the late disastrous invasion.
The invader’s dreamy and speculative gaze followed the dust of the trailing rope. He opened his lips twice or thrice, and spoke, after several futile attempts, in a voice mild, but clearly earnest:
“Oh, you little eohippus!”
The spellbound girl rose. Her hand was at her throat; her eyes were big and round, and her astonished lips were drawn to a round, red O.
Sharp ears heard the rustle of her skirts, her soft gasp of amazement. The merman turned his head briskly, his eye met hers. One gloved hand brushed his brow; a broad streak of mud appeared there, over which the blood meandered uncertainly. He looked up at the maid in silence: in silence the maid looked down at him. He nodded, with a pleasant smile.