EMILY—[With her sugary smile.] That isn't what Martha means, you silly. I know what she's thinking about us, and I'm not sure that I don't agree with her—partly. She feels that we're so awfully strict—about certain things. It must be so different in the Far West—I suppose—so much freer.

MARTHA—[Acidly.] Then you believe broad-mindedness and clean thinking are a question of locality? I can't agree with you. I know nothing of the present Far West, not having lived there for ten years, but Curt and I have lived in the Far East and I'm sure he'd agree with me in saying that Chinese ancestor worship is far more dignified than ours. After all, you know, theirs is religion, not snobbery. [There is a loud honking of an auto horn before the house. MARTHA starts, seems to come to a quick decision, and announces with studied carelessness.] That must be Mr. Bigelow. I suppose Lily told you I had an engagement to go motoring with him. So sorry I must leave. But I'm like Lily. I need fresh air. [She walks to the study door as she is talking.] I'll call Curt. [She raps loudly on the door and calls.] Curt! Come out! It's important. [She turns and goes to the door, smiling fixedly.] He'll be out when he's through swearing. [She goes out, rear.]

JOHN—[Exploding.] Well, of all the damned cheek!

ESTHER—She shows her breeding, I must say.

EMILY—[With horror.] Oh, how rude—and insulting.

MRS. DAVIDSON—[Rising rigidly to her feet.] I will never set foot in this house again! JAYSON—[Jumping up to restrain her—worriedly.] Now, Aunt Elizabeth, do keep your head! We must have no scandal of any sort. Remember there are servants about. Do sit down. [The old lady refuses in stubborn silence.]

SHEFFIELD—[Judiciously.] One must make allowances for one in her condition, Aunt.

JAYSON—[Snatching at this.] Exactly. Remember her condition. Aunt [testily] and do sit down. [The old lady plumps herself down again angrily.]

EMILY—[In her lisp of hidden meanings.] Yes, the family mustn't forget—her condition. [The door from the study is opened and CURT appears. His face shows his annoyance at being interrupted, his eyes are preoccupied. They all turn and greet him embarrassedly. He nods silently and comes slowly down front.]

CURTIS—[Looking around.] Where's Martha? What's the important thing she called me out for?