606. Hart, Robert Charles. Writers on writing: the opinions of six modern American novelists on the craft of fiction. Ph.D. dissertation, Northwestern University, 1954. 489p. University Microfilms publication #9241. (Abstract in Dissertation Abstracts 14:1720-21 1954)
607. Hartley, Marsden. “Spring, 1941,” Story 19:97-98 September-October 1941.
608. Hartwick, Harry. “Broken face gargoyles,” in his The foreground of American fiction. New York, Cincinnati, American Book Co. [1934] p.111-50.
609. Hatcher, Harlan Henthorne. “Sherwood Anderson,” in his Creating the American novel. New York, Farrar and Rinehart, 1935. p.155-71.
610. Haught, Viva Elizabeth. The influence of Walt Whitman on Sherwood Anderson and Carl Sandburg. Unpublished M.A. thesis, Duke University, 1936. 147p.
611. Havighurst, Walter. Masters of the modern short story. New York, Harcourt, 1955. p.xii-xiii. Concerns “Brother death.”
612. Hazard, Lucy Lockwood. The frontier in American literature. New York, Crowell [1927] p.290-98.
613. “Heading for matriarchy,” New York Times November 23, 1931, p.18. Editorial concerning the “no women’s clubs” clause in Anderson’s contracts.
614. Hecht, Ben. A child of the century. [New York] Simon and Schuster, 1954. p.225-32.