Through caprice, I desired to keep up my incognito, which would be easy enough for awhile at least, for the Field Farm was quite a distance from Serval, and the tenants and farm hands from the one place hardly ever came over to the other.
The day after my first interview with Marie I furnished myself with the complete outfit of an artist; for since my return to Serval, I, too, had sought distraction in painting, and, mounted on good old Black, I started for the Field Farm.
Thanks to my frequent visits, a certain amount of friendliness was established between Marie, her aunt, and myself.
As I never saw any M. Belmont, I supposed him to be on a journey, and asked no questions about him. I drew the farm from every point of view, and I gave two or three of the sketches to Madame Kerouët, who was enchanted with them. Very often Marie came out and sketched with me. She had a great deal of talent.
Contrary to the habit of most young girls, Marie had profited by the excellent education that is afforded in such establishments as St. Denis. Fond of learning, she had neglected none of her studies, none of the useful or agreeable arts that were taught in that institution; so that, being naturally gifted, she had cultivated her talents to the utmost. To a solid, extended, and varied instruction, she added a real vocation for art. But Marie was quite unconscious of the rarity of such an assemblage of delightful talents. She never showed the least vanity in her superiority, but would often, with a schoolgirl's satisfaction, tell me of her former successes in history, painting, or music, as I had heard other women tell of their triumphs in coquetry.
Marie was only eighteen, and had the happy and fanciful imagination of a child. When she was in a confidential mood, I found her to be simple, sweet-tempered, and gay. She possessed that innocent gaiety which is the outcome of a serene soul and a life of intelligent and noble occupation. The more I studied her guileless nature, the more attached to her I became.
I did not feel for Marie a violent and wild passion, but when she was near me I was so perfectly and entirely happy that I had no desire for anything further, nor any regret for the turmoil of a passionate love. Strangely, though Marie was so angelically beautiful, though her form was charming, I was more interested in her wit, her candour, and the thousand aspirations of her young soul, than in her physical perfections. I had never made her the least compliment on her beauty, but I had never made any secret of the interest I felt in her talents and her exquisite natural gifts.
Although she was a married woman, she possessed such a mysterious and virginal charm that my behaviour towards her was respectful and even singularly timid.
Madame Kerouët, Marie's aunt, was a woman of rare good sense. She was high-minded and kind-hearted. Her piety, which was sweet and fervent, inspired her to do the most charitable actions. No poor person ever left the farm without having received, besides a trifling sum of money, some of those words of encouragement more precious than alms.
Little by little I discovered in this good woman a very treasure-house of kindness and practical virtue. Her conversations were always interesting to me, for she could tell me many curious facts concerning agriculture. Sometimes her perfect faith gave an elevation to her thoughts that surprised me, and I would say to myself, "What is the secret of a religion that can so illuminate a simple mind?"