The prince, carried away by the vehemence of his furious indignation, had, as he talked, come nearer and nearer the marquise, who still sat at her ease in the armchair.

When she threw back her veil, at the same time throwing her head back lightly, so as to be able to fix her eyes upon the eyes of the prince, he stood motionless, and experienced that mingling of surprise, admiration, and involuntary pain which almost everybody felt at the sight of that charming face, to which a pallid complexion, large azure blue eyes, black eyebrows, and blonde hair gave a fascination so singular.

This profound impression made upon the prince, Charles Dutertre had also received, notwithstanding his love for his wife, notwithstanding the agonising fears of ruin and disaster by which he was besieged.

For a few seconds the archduke remained, so to speak, under the fascination of this fixed, penetrating gaze, in which the marquise endeavoured to concentrate all the attraction, all the magnetism which was in her, and to cast it into the eyes of the prince, for the projecting power of Madeleine's glance was, so to speak, intermittent, subject, if we may use the expression, to pulsations; so at each of these pulsations, the rebound of which he seemed to feel physically, the archduke started involuntarily; his icy pride appeared to melt like snow in the sun; his haughty attitude seemed to bend; his arrogant countenance betrayed inexpressible uneasiness.

Suddenly Madeleine pulled her veil over her face, bowed her head, and tried to efface herself as much as possible under the ample folds of her mantle and trailing robe, which completely hid her small foot, as her wide sleeves hid the beautiful hand she had extended to the prince, who now saw before him only an undefined and chastely veiled form.

The most provoking coquetry, the boldest exposure of personal charms, would have been ingenuousness itself compared to this mysterious reserve, which, concealing from view the whole person from the point of the foot to the tips of the fingers, gave free rein to the imagination, which took fire at the recollection of the wonderful stories of the marquise current in Paris.

When Madeleine's face again disappeared under her veil, the prince, delivered from the influence which had held him in spite of himself, regained his self-possession, roughly curbed his weakness, and, as a safeguard against all dangerous allurement, forced himself to ponder the deplorable adventures which proved how fatal was the power of this woman over men known to be strong and inexorable.

But alas! the fall or transformation of these men only brought back more forcibly the irresistible fascination of the marquise. He felt the grave and imminent peril, but every one knows the attraction of danger.

In vain the prince argued with himself, that, naturally phlegmatic, he had attained the maturity of age without ever having submitted to the empire of those gross passions which degrade men. In vain he said to himself that he was a prince of the royal blood, that he owed it to the sovereign dignity of his rank not to debase himself by yielding to shameful enticements. In a word, the unhappy archduke philosophised marvellously well, but as uselessly as a man who, seeing in terror that he is rolling down a steep declivity, gravely philosophises upon the delightful advantages of repose.

Words, phrases, and pages are necessary to portray impressions as instantaneous as thought, and all that we have described at such length, from the moment Madeleine lifted her veil to the moment she dropped it again, transpired in a few seconds, and the archduke, in the midst of his efforts at self-restraint, unconsciously, no doubt,—so much did his philosophy disengage his mind from matter,—tried, we say, yes, tried again to see Madeleine's features through the lace which concealed them.