Jacques Ferrand, having one day doubted the dangerous properties of this weapon, the Creole made before him an experiment in anima vita, that is to say, on the unfortunate house dog, who, slightly pricked in the nose, fell dead in horrible convulsions.
The dirk placed on the chimney, Cecily taking off her spencer of black cloth, exposed her shoulders, bosom, and arms, naked like a lady in ball costume.
According to the custom of most girls of color, she wore, instead of a corset, a second corsage of double linen, which was closely bound around her waist; her orange petticoat, remaining fastened under her white inner waist with short sleeves, composed thus a costume much less severe than the first, and harmonized wonderfully with the scarlet stockings, and the Madras scarf so capriciously twisted around the head of the Creole. Nothing could be more pure, more beautiful, than the contour of her arms and shoulders, to which little dimples gave a charm the more.
A profound sigh attracted the attention of Cecily. She smiled, while roiling around one of her ivory fingers some stray curls which escaped from the folds of the bandana.
"Cecily! Cecily!" murmured a voice, at once harsh and plaintive.
And at the narrow opening of the wicket appeared the pale, flat face of
Jacques Ferrand; his eyes sparkled in the shade.
Cecily, silent until then, began to sing softly in Creole French, a Louisianian air. The words of this melody were soft and expressive. Although restrained, the noble contralto overpowered the noise of the torrents of rain and violent gusts of wind, which seemed to shake the old house to its foundation.
"Cecily! Cecily!" repeated Jacques Ferrand, in a supplicating tone.
The Creole suddenly stopped, turned her head quickly, and appeared to hear for the first time the voice of the notary, and approached the door. "How! dear master, you are there?" said she, with a slight foreign accent, which gave additional charm to her melodious voice.
"Oh! how handsome you are!" murmured the notary.