The baroness was passionately fond of luxury and display. There was nothing that she loved better than to organise and preside at magnificent entertainments, but unfortunately, her fortune, though considerable, did not correspond with her very expensive tastes. Besides, she had no intention of impoverishing herself; so being an extremely shrewd and economical woman, she managed to enjoy the prestige which lavish expenditure imparts to one by frequently acting as the patroness of the many obscure but enormously rich foreigners or provincials—meteors—who, after dazzling Paris a few years, vanish for ever in darkness and oblivion.

Madame de la Rochaiguë in such cases did not allow her protégés the slightest liberty, even in the selection of their guests. She gave them a list of the persons they were to entertain, not even granting them permission to invite such of their friends or compatriots as she did not consider worthy to appear in aristocratic society.

The baroness, holding a high social position herself, could easily launch her clients in the best society, but in the meantime she was really the mistress of their house. It was she alone who planned their entertainments, and it was to her that persons applied for a place on the list of guests bidden to these sumptuous and exclusive reunions.

It is needless to say that she considered a box at the opera and other fashionable places of amusement an absolute necessity, and, in this box, the best seat was always reserved for her. It was the same at the races, and in the frequent visits to the seashore and other fashionable watering-places. Her protégés rented a house, and sent down chefs, servants, and horses and carriages, and in these admirably appointed establishments Madame de la Rochaiguë kept open house for her friends.

So insatiable is the longing for pleasure in society, even the most fashionable society, that, instead of revolting at the idea of a woman of noble birth devoting herself to the shameful robbing of these unfortunate people whose foolish vanity was leading them on to ruin, society flattered Madame de la Rochaiguë, the dispenser of all this lavish hospitality, and the lady herself was not a little proud of the advantages she derived from her patronage; besides being clever, witty, shrewd, and remarkably self-possessed, Madame de la Rochaiguë was one of the seven or eight brilliant women who exerted a real influence over what is known as Parisian society.

The three persons above referred to were engaged in adding the finishing touches to a spacious suite of superbly appointed apartments that occupied the entire first floor of a mansion in the Faubourg St. Germain.

M. and Madame de la Rochaiguë had relinquished these rooms and established themselves on the second floor, a part of which was occupied by Mlle. de la Rochaiguë, while the rest had heretofore served as quarters for the baron's daughter and son-in-law, when they left their estates, where they resided most of the year, for a two months' sojourn in Paris.

These formerly rather dilapidated and very parsimoniously furnished apartments had been entirely renovated and superbly decorated for Mlle. Ernestine de Beaumesnil, whose health had become sufficiently restored to admit of her return to France, and who was expected to arrive from Italy that very day, accompanied by her governess, and a sort of steward or courier whom M. de la Rochaiguë had despatched to Naples to bring the orphan home.

The extreme care which the baron and his wife and sister were bestowing on the arrangement of the rooms was almost ludicrous, so plainly did it show the intense eagerness and obsequiousness with which Mlle. de Beaumesnil was awaited, though there was something almost depressing in the thought that all this splendour was for a mere child of sixteen, who seemed likely to be almost lost in these immense rooms.

After a final survey of the apartments, M. de la Rochaiguë summoned all the servants, and, seeing a fine opportunity for a speech, uttered the following memorable words with all his wonted majesty of demeanour: