So inexpressibly pleased and relieved, Herminie took her music and walked to the piano.
Directly over the instrument hung a portrait of a little girl five or six years of age, playing with a magnificent greyhound. She was not pretty, but the childish face had a remarkably sweet and ingenuous expression. This portrait, painted about ten years before, was that of Ernestine de Beaumesnil, the Comtesse de Beaumesnil's legitimate child.
Herminie had not needed to ask who the original of this portrait was, and more than once she had cast a timid, loving glance at this little sister whom she did not know, and whom she would never know, perhaps.
On seeing this portrait now, Herminie, still under the influence of her late emotion, felt even more deeply moved than usual, and for a minute or two she could not take her eyes off the picture. Meanwhile, Madame de Beaumesnil was tenderly watching the girl's every movement, and noted her contemplation of Ernestine's portrait with keen delight.
"Poor Herminie!" thought the countess. "She has a mother and a sister, and yet she will never know the sweetness of those words: my sister—my mother."
And furtively wiping away a tear, Madame de Beaumesnil said aloud to Herminie, whose eyes were still riveted upon the portrait:
"That is my daughter. She has a sweet face, has she not?"
Herminie started as if she had been detected in some grievous crime, and blushed deeply as she timidly replied:
"Pardon me, madame; I—I—"
"Oh, look at it, look at it all you please," exclaimed Madame de Beaumesnil, hastily. "Though she is nearly grown now, and has changed very much in some respects, she still retains that same sweet, ingenuous expression. She is not nearly as handsome as you are," said the poor mother, with secret pride, and well pleased to be able to thus unite her two daughters in the same comparison, "but Ernestine's face, like yours, possesses a wonderful charm."