Thanks to the cape that almost wholly veiled Berthoald's face, he was able to conceal from Charles the cruel agony that he became a prey to the moment he heard Charles say that some day he might receive orders to invade the country of the Bretons that had so far remained indomitable. He bent a knee before the chief of the Franks and left the refectory in such a state of wild and complex anxiety that he did not even have a parting look for Septimine, who remained upon her knees amidst the Saracen gold pieces that lay strewn around her.
The young officer crossed the courtyard of the abbey to reach his horse, when, turning the corner of a wall, he found himself face to face with a little grey-bearded man. It was the Jew Mordecai. Berthoald shivered and walked quickly by; but although his face was hidden under the cape of his cloak, his eyes encountered the piercing ones of the Jew, who smiled sardonically while the young chief walked rapidly away.
The Jew had recognized Berthoald.
PART II.
THE ABBEY OF MERIADEK
CHAPTER I.
ELOI THE GOLDSMITH.
A gold and silversmith's shop is a sight agreeable to the eye of the artisan who, freeman or slave, has grown old at the beautiful art made illustrious by Eloi, the most celebrated of all Gallic goldsmiths. The eye rests with pleasure upon the burning furnace, upon the crucible where the metal boils, upon the anvil that seems to be of silver veined with gold—so much gold and silver has been beaten on it. The work-bench, equipped with its files, its hammers, its chip-axes, its burins, its bloodstone and agate polishing stones is no less pleasing to the eye. Then there are also the earthen molds into which the metal is poured, and here and there upon little tables some models taken from the debris of antique art that have been found among the ruins of Roman Gaul. There is nothing from the grinding of the files to the panting breath of the bellows, that is not like sweet music to the ear of the artisan grown old at the trade. Such is the passion of this art that the slave at times forgets his bondage, and has no thought but for the marvels that he fashions for his master.
Like other rich convents of Gaul, the abbey of Meriadek had its little gold and silver shop. An old man, almost ninety-six years of age, was overseeing the work of four young apprentices, slaves like himself, all busy in a vaulted ground floor room, lighted by an arched window, that was furnished with iron bars and that opened upon a moat full of water, the convent having been built upon a sort of peninsula almost wholly surrounded by deep ponds. The forge was placed against one of the walls, into the thick body of which a kind of vault was dug that led below by several steps. It contained the supply of charcoal required for the work. The old goldsmith, whose face and hands were blackened by the smoke of the forge, wore a smock-frock half hidden by a large leathern apron, and was engaged in chiseling with great professional delight a little silver abbatial crosier that he held on his knees.
"Father Bonaik," said one of the young slaves to the old man, "this is the eighth day that our comrade Eleuthere has not come at all to the workshop ... where can he be?"
"God knows, my boys ... but let us talk of something else."
"I am half of your opinion, old father; on the matter of Eleuthere I have as strong a desire to speak as to hold my tongue. I have discovered a secret. It burns my tongue. And I fear it will be cut off if I talk."