The jailer goes out precipitately, makes a sign of intelligence to the canon and carries the lamp out. The canon stretches himself on the straw and pretends to sleep. The door is double locked on the outside. The weak light of approaching dawn, so pale in those winter days, filters through the airhole of the cell, yet leaves the interior in substantial darkness. The bed occupied by the canon lies completely in the shadow. The scene is about to begin.

Again the heavy door grates on its hinges. Joan Darc enters preceded by John. He casts a savage look upon her. Two other jailers, also armed, follow their chief. One of them has a hammer and shears in his hands, the other carries on his shoulder a small box containing some clothes that belong to the prisoner. Joan is hardly recognizable. Since her prolonged sojourn in a succession of prisons, the fresh color of the child of the fields or of the martial maid always living in the open has disappeared. Her beautiful face, now furrowed with suffering and worn with sorrow, is of a sickly hue. A bitter smile contracts her lips. Her appearance is sad yet proud. Her black eyes seem enlarged through the hollowness of her cheeks. She wears a woman's felt hat, a brown tunic and tight hose fastened with hooks to her shirt. The laces of her leather shoes are hidden under two large iron rings held together by a chain that is hardly long enough to allow her to walk. Close manacles hold her hands together. Her clothes, worn out and tattered by her journey, are ripped at the elbows and allow glimpses of a coarse shirt. The English soldiers charged to guard the heroine have received orders not to lose sight of her night or day, and to sleep in her room during the few halts that were made. As her chastity would not allow her to undress in their presence, she has not removed her clothes for a whole month.

John orders his aides to unchain the prisoner and to fasten her firmly to the straw bed. They approach her with an insolence that is not unmixed with fear. In their eyes she is a witch. They are always in fear of some sorcery. Nevertheless they first place around her waist the heavy iron belt, lock it, and give the key to John. The length of the chain, that is fastened at the other end to the wall, barely allows her to sit down or stretch herself out upon the litter. Being thus secured to her new fastenings, one of the jailers begins to remove her traveling irons. With a hammer he strikes a chisel which he applied to the jointure of the manacles and these drop from Joan's sore wrists. With a sigh of relief she stretches out her aching and swollen arms. Her feet are then unchained, to be immediately secured in the rings at the end of the chain that is fastened to the beam at the foot of the litter, on which, worn out with fatigue and broken with sadness, the martial maid drops in a sitting posture and covers her face with her hands.

John orders his men out and casts a knowing look at Canon Loyseleur. The latter has not yet been noticed by the prisoner, as he crouches in a corner that lies wholly in the dark. The jailer goes out and locks the door. Through the wicket the iron casques of the two sentinels, posted on the outside, are seen passing and repassing. Invisible in the thick darkness, which the feeble light that filters through the airhole is unable to dispel, the canon holds his breath and observes Joan. With her face in her hands, she remains profoundly absorbed in her own thoughts—painful, heartrending thoughts. She indulges in no false hopes. Charles VII has abandoned her to her executioners. For some time she had known the egotism, cowardice and ingratitude of the prince. Twice she had wished to leave him to his fate, indignant and shocked at his cowardice. But out of patriotism she had resigned herself to cover him with her glory, knowing that in the eyes of the people France was personified in the King. This notwithstanding, the heroine at first expected that the prince would endeavor to save her. He owed everything to her, only from him could she expect some degree of pity. Enlightened by so many evidences on the envy and hatred that the captains pursued her with, she in no way counted with help from that quarter; after so many attempts at infamous treason, they had finally succeeded in delivering her to the English before Compiegne. For a moment, in the innocence of her heart, she expected aid from the charity of the clergy, the bishops who at Poitiers declared that Charles VII could with a safe conscience accept the unexpected aid that she brought him in the name of God. She hoped for the intervention of the ecclesiastics who were so anxious to admit her, to communion and to confession, who sang her praises, and who, with all the pomp of the church, celebrated the feast of the 8th of May, a commemorative anniversary of the raising of the siege of Orleans, a religious solemnity ordered by the bishop of the diocese, which comprised an imposing procession of the clergy, who marched at the head of the councilmen, holding wax candles in their hands, and made its pious stations at the several spots that had been the theater of the glorious deeds of the Maid.

But Joan now no longer indulged in false hopes. The clergy, like the King, abandoned her to her executioners. Other priests of Christ would judge and condemn her. The English who brought her in chains often told her on the route: "You are going to be burned, witch! We have priests in Rouen who will send you to the pyre!"

Convinced by these words that she need expect neither mercy nor justice from the ecclesiastical tribunal before which she was about to be arraigned, and overpowered by the bitter disillusionment, the recollections of which stabbed her heart without souring her angelic spirit, Joan asked herself in a perplexity of doubt, why did the Lord forsake her, her the instrument of His divine will? Her who was ever obedient to the saintly voices that she heard so distinctly, and that since her captivity still repeated to her: "Go, daughter of God! Fear not—submit meekly to your martyrdom. You have fulfilled your duty—heaven is with you!"

And yet heaven delivered her to the English, her implacable enemies!

And yet the priests of the Lord were impatient, it was told her on all hands, to sentence her to the flames!

These contradictions profoundly troubled the prisoner. Often she was overcome with sadness, whenever she thought of her uncompleted mission—the soil of Gaul was not yet completely delivered from the foreign rule!

Such are the thoughts of Joan at this hour when, with her face hidden in her hands, she sits on the straw of her cell, and is yet ignorant of the presence of Canon Loyseleur. Suddenly the girl trembles with surprise, almost fright. From the midst of the darkness at the opposite side she hears a compassionate voice addressing her, and the following dialogue ensues: