Finally, could Joan continue the war even after she regained her freedom? What confidence could she inspire in the masses, she who had been convicted of falsehood or cowardice?
The plot of the ecclesiastics was planned with diabolical craft. They foresaw and calculated the consequences of the heroine's apostasy; they realized that, taken to the pyre after she had confessed the divinity of her mission, Joan would have become a saint; if, however, she renounced her past actions, she was dishonored.
"Idle remorse!" thinks Joan. "How retract a public abjuration. Impossible! Who could believe in the sincerity of a creature who had once before renounced her faith and her honor!"
These mind and heartrending thoughts are tearing Joan Darc to pieces when morning dawns and a rap is heard at the door of her chamber. The old women rise and go to inquire who is there. It is their reverend father in God, Canon Loyseleur. He wishes to speak to Joan without delay. She hastily puts on her woman's clothes and prepares to receive the priest, towards whom she now experiences a secret aversion, seeing that she accuses him in her heart for having led her to abjure by superexciting her dread of the shame and fear of the fagots. She reflects, however, that after all, the priest might have actually believed in the wisdom of his advice, and that she alone is responsible for the cowardly apostasy. Joan receives the canon with her habitual sweetness of manners. She learns from him that she is still a prisoner in the Castle of Rouen, but that the Bishop will set her free. The prelate, adds the canon, has no interest in retaining her a prisoner, and is to allow her to escape at night in a day or two. Loyseleur pretends that, thanks to his own personal intercession with the captain of the tower, she has been transferred to that room; but the captain demands that, the prisoner being now almost well again, she be returned to her cell. His orders are to be carried out that very morning.
Joan Darc believes the priest's words and easily reconciles herself to the idea of returning to her cell, but she asks as a supreme favor that male attire be provided to her for the sake of protection against her jailers. Canon Loyseleur promises to carry her wishes to the captain of the tower. Suddenly one of the old women rushes into the room saying that the jailer and an escort of soldiers are coming to claim the prisoner. The canon assures Joan she is soon to be set free, and leaves the room at the moment that John enters, carrying manacles which he fastens on the wrists of the heroine, and then conducts her back to her cell. Upon entering, Joan notices that the male clothes which she left there have disappeared. She expects to see herself chained by the waist and feet as she was before; but, freeing her even of the manacles, John informs her that she is no longer to be chained, saying which he leaves, casting a strange look upon her. Hardly concerned at this leniency, Joan sits down upon her straw couch and remains motionless, occupied with her own thoughts.
CHAPTER VIII.
THE RELAPSE.
It has long been night. The little iron lamp lights the dungeon of Joan Darc, who lies upon her straw couch broken with remorse at the continuous reproaches of her voices, and racking her brain for the means to expiate her weakness. The captive bitterly regrets the disappearance of her masculine clothes. Agitated by vague presentiments, and apprehensive of dangers on which she hardly dares dwell, she has wrapped herself as closely as she can in her clothes, and fearing to yield to the sleepiness that is gaining upon her, she rises from her straw bed and sits down upon the floor with her back leaning against the wall. But pressed down by sleep, her eyelids close despite herself, by degrees her head droops forward, and finally drops upon her knees which she holds within her arms. She falls asleep.
A few minutes later the pale face of Canon Loyseleur appears at the wicket. He notices that Joan is asleep, and withdraws.
Shortly afterwards the heavy door of the dungeon turns noiselessly upon its hinges. It opens and recloses so silently that Joan Darc's slumber, is not interrupted either by the slight noise of the door or the steps of two men who creep into the cavernous precinct. The two men are Talbot and Berwick, the English captains, who are appointed by Bishop Cauchon as the additional keepers of Joan Darc. Both are men in the prime of life. They wear rich slashed jackets after the fashion of the time. The two noble officers have sought in the stimulus of wine the requisite courage to commit the unheard-of atrocity, the nameless crime that they are bent upon. Their cheeks are inflamed, their eyes glisten, a lewd smile contracts their vinous lips. At the sight of Joan asleep they stop a moment and take council. Presently the two rush upon their victim.
Awakened with a start, Joan Darc leaps up and struggles to free herself from the grasp of her assailants. Berwick seizes her by the waist, while Talbot, sliding behind, seizes her arms and approaches his mouth to the lips of Joan, who turns her head away and utters a piercing shriek. The two noblemen drag her to the straw couch. The heroine draws superhuman strength from her despair. A violent struggle ensues, horrible, nameless. The tipsy Talbot and Berwick, exasperated at the heroine's resistance, give a loose to the fury of unsatisfied lechery. They smite Joan Darc with their fists. Her face bleeds. Yet she resists, and calls for help.