As Deber-Trud looked over and smelled the traveler with a doubtful air, Joel said to the animal: "Do you not see he is a guest whom I bring home?"
As if he understood the words, Deber-Trud ceased showing any uneasiness about the stranger, and gamboled clumsily ahead of his master into the house. The house was partitioned into three sections of unequal size. The two smaller ones, separated from each other and from the main hall by oaken panels, were destined, one for Joel and his wife, the other for Hena, their daughter, when she came to visit the family. The vast hall between the two served as a dining-room, and in it were performed the noon and evening in-door labors.
When the stranger entered the hall, a large fire of beech wood, enlivened with dry brush wood and seaweed burned in the hearth, and with its brilliancy rendered superfluous the light of a handsome lamp of burnished copper that hung from three chains of the same metal. The lamp was a present from Mikael the armorer.
Two whole sheep, impaled in long iron spits broiled before the hearth, while salmon and other sea fish boiled in a large pewter pot filled with water, seasoned with vinegar, salt and caraway.
The panels were ornamented with heads of wolves, boars, cerfs and of two wild bulls called urok, an animal that began to be rare in the region; beside them hung hunting weapons, such as bows, arrows and slings, and weapons of war, such as the sparr and the matag, axes, sabres of copper, bucklers of wood covered with the tough skin of seals, and long lances with iron heads, sharpened and barbed and provided with little brass bells, intended to notify the enemy from afar that the Gallic warrior approached, seeing that the latter disdains ambuscades, and loves to fight in the open. There were also fishing nets and harpoons to harpoon the salmon in the shallows when the tide goes out.
To the right of the main door stood a kind of altar, consisting of a block of granite, surmounted and covered by large oak branches freshly cut. A little copper bowl lay on the stone in which seven twigs of mistletoe stood. From above, on the wall, the following inscription looked down:
Abundance and Heaven
Are for the Just and the Pure.
He is Pure and Holy
Who Performs Celestial Works and Pure.
When Joel stepped into the house, he approached the copper basin in which stood the seven branches of mistletoe and reverently put his lips to each. His guest followed his example, and then both walked towards the hearth.
At the hearth was Mamm' Margarid, Joel's wife, with a distaff. She was tall of stature, and wore a short, sleeveless tunic of brown wool over a long robe of grey with narrow sleeves, both tunic and robe being fastened around her waist with her apron string. A white cap, cut square, left exposed her grey hair, that parted over her forehead. Like many other women of her kin, she wore a coral necklace round her neck, bracelets inwrought with garnets and other trinkets of gold and silver fashioned at Autun.
Around Mamm' Margarid played the children of Guilhern and several other of her kin, while their young mothers busied themselves preparing supper.