Copyright, 1909, by the
New York Labor News Company

INDEX

[TRANSLATOR'S PREFACE] [vi]
[PART I.] THE COURT OF LOVE.
[INTRODUCTION] [1]
CHAPTER
[I.]THE ORCHARD OF MARPHISE[5]
[II.]GOOSE-SKIN THE JUGGLER[20]
[III.]FLORETTE[35]
[IV.]THE GARDEN OF EGLANTINE[45]
[V.]THE CRUSADERS[62]
[VI.]ON TO LANGUEDOC[80]
[PART II.] THE ALBIGENSIAN HERETICS.
[I.]THE PERFECT'S HOME[87]
[II.]GIRAUDE OF LAVAUR[93]
[III.]THE SHADOW OF WAR[99]
[IV.]ROBIN LOVES ME, ROBIN HAS ME[109]
[V.]SONG ON THE CRUSADE AGAINST THE ALBIGENSIANS [122]
[VI.]SONG ON THE BUTCHERY OF CHASSENEUIL[125]
[VII.]SONG ON THE BUTCHERY OF BEZIERS[128]
[VIII.]SONG ON THE BURNING OF CARCASSONNE[132]
[IX.]THE HERETICS' WAR SONG[141]
[X.]BEFORE THE CASTLE OF LAVAUR[144]
[XI.]MONTFORT AND THE PERFECT[150]
[XII.]GOOSE-SKIN'S CONVERSION[165]
[XIII.]THE ESPLANADE AT LAVAUR[176]
[EPILOGUE] [191]

TRANSLATOR'S PREFACE.

A new breath blows through this story, the thirteenth of the Eugene Sue series, The Mysteries of the People; or, History of a Proletarian Family Across the Ages. The epoch is the Thirteenth Century. The rudeness and coarseness of the period described in the preceding story—The Pilgrim's Shell; or, Fergan the Quarryman—now lies two centuries behind. Religious bigotry still reigns supreme, but it now is no more of the coarse nature typified by a Cuckoo Peter, it now partakes of the flavor of a Duke of Montfort; amours are no longer of the vulgar type of a Duke of Aquitaine, they now partake of the mental refinement of "Courts of Love." Music and poetry chasten the harsh lines of the Thirteenth Century and the season is prepared for the epoch described in the following novel—The Iron Trevet; or, Jocelyn the Champion—the age of chivalry. Nevertheless it was at this epoch that the religious persecutions of the Albigensians happened. The fell fanaticism of Montfort, the lawlessness of the clergy, and the dissoluteness of the nobility are woven into a narrative with Mylio the Trouvere and his brother Karvel, the type of religious purity, as the center figures of a story that has all the fascination of drama, in which tears and laughter, freedom and oppression alternate in rapid succession—a true picture of its times.

DANIEL DE LEON.

Milford, Conn., September, 1909.

INTRODUCTION.