"John Baillet, the treasurer of the Regent, had borrowed in the name of the King a sum of money from Perrin Macé.
"Macé demanded his money in virtue of the new edict that orders the royal officers to pay for what they buy and return what they borrow for the King, under penalty of being brought to law by their creditors.
"John Baillet refused to pay, and furthermore insulted, threatened and struck Perrin Macé.
"In the exercise of his right of legitimate defence, granted him by the new edict, Perrin Macé returned blow for blow, killed John Baillet and betook himself to the church of St. Méry, a place of asylum, from where he demanded an inquest and trial.
"The Duke of Normandy, now Regent, immediately sent one of his courtiers, the marshal of Normandy, to the church of St. Méry, accompanied with an escort of soldiers and the executioner.
"The marshal of Normandy dragged Perrin Macé from the church, and without trial Macé's right hand was cut off and he was immediately hanged.
"Pray for the soul of Perrin Macé, a bourgeois of Paris, unjustly executed."
Regularly after these sentences, that were alternately recited by the heralds in a solemn voice, the muffled roll of drums and plaintive clarion notes resounded, but they hardly served to hush the imprecations from the crowd, indignant at the Regent and his court. Behind the heralds followed priests with their crucifixes and banners, and then, draped in a long black cloth embroidered in silver, came the coffin of the executed bourgeois, carried by twelve notables, clad in their long robes and wearing the two-colored hats of red and blue, such as were worn by almost all the partisans of the popular cause. The collars of their gowns were held by silver brooches, likewise enameled in red and blue, and bearing the inscription "To a happy issue," a device or rallying cry given by Marcel. Behind the coffin marched the councilmen of Paris with Etienne Marcel at their head. The obscure bourgeois, who had stepped out of his draper's shop to become one of the most illustrious citizens of Gaul, was then in the full maturity of his age. Of middle height and robust, Etienne Marcel somewhat stooped from his fatigues, seeing that his prodigious activity of a man of both thought and action left him no repose. His open, manly and characterful face bore at the chin a thick tuft of brown beard, leaving his cheeks and lips clean shaven. The feverish agitation of the man and the incessant cares of public affairs had furrowed his forehead and left their marks on his features without, however, in any way affecting the august serenity that an irreproachable conscience imparts to the physiognomy of an honorable man. There was nothing benigner or more affectionate than his smile when under the influence of the tender sentiments so familiar to his heart. There was nothing more imposing than his bearing, or more threatening than his looks when, as powerful an orator as he was a great citizen, Etienne Marcel thundered with the indignation of an honest and brave soul against the acts of cowardice and treason and the crimes of the feudal nobility and the despotic crown. The provost wore the red and blue head-gear together with the emblazoned brooch that distinguished the other councilmen. Among these, John Maillart often during the procession gave his arm to Marcel, who, fatigued by the long march through the streets of Paris, cordially accepted the support of one of his oldest friends. Since youth Marcel had lived in close intimacy with Maillart, but the latter, ever keeping concealed the enviousness that the glory of Marcel inspired him with, could not now wholly repress a bitter smile at the enthusiastic acclaim that saluted Marcel along the route.
A woman clad in long mourning robes and whose presence seemed out of place at such a ceremony marched beside Maillart. It was his wife, Petronille, still young and passing handsome, but of atrabilious and harsh mien. Each time that the heralds finished the mournful psalmody and before they began it anew, Petronille Maillart would break out into sobs and moans, and raising and wringing her arms in despair cried out: "Unhappy Perrin Macé! Vengeance upon his ashes! Vengeance!" The plaintive outcries and the contortions of Madam Maillart seemed, however, to excite more surprise than interest with the crowd.
"By Jupiter!" cried Rufin the Tankard-smasher, "what brings that bellowing woman to this funeral? What makes her demean herself like that, as if she were possessed? She is neither the widow nor any relative of Perrin Macé."