The Chourineur was a man of lofty stature and athletic make, with hair of a pale brown, nearly white; thick eyebrows, and enormous whiskers of deep red. The sun's rays, misery, and the severe toil of the galleys had bronzed his skin to that deep and olive hue which is peculiar to convicts. In spite of his horrible nickname, his features did not express ferocity, but a sort of coarse familiarity and irrepressible audacity. We have said already that the Chourineur was clothed in trousers and frock of blue cotton, and on his head he had one of those large straw hats usually worn by workmen in timber-yards, and barge-emptiers.
The Goualeuse was, perhaps, about sixteen and a half years old. A forehead, of the purest and whitest, surmounted a face of perfect oval and angel-like expression; a fringe of eyelids, so long that they curled slightly, half veiled her large blue eyes, which had a melancholy expression. The down of early youth graced cheeks lightly coloured with a scarlet tinge. Her small and rosy mouth, which hardly ever smiled, her nose, straight, and delicately chiselled, her rounded chin, had, in their combined expression, a nobility and a sweetness such as we can only find in the most beautiful of Raphael's portraits. On each side of her fair temples was a band of hair, of the most splendid auburn hue, which descended in luxuriant ringlets half way down her cheeks, and was then turned back behind the ear, a portion of which—ivory shaded with carnation—was thus visible, and was then lost under the close folds of a large cotton handkerchief, with blue checks, tied, as it is called, en marmotte. Her graceful neck, of dazzling whiteness, was encircled by a small necklace of grains of coral. Her gown, of brown stuff, though much too large, could not conceal a charming form, supple and round as a cane; a worn-out small orange-coloured shawl, with green fringe, was crossed over her bosom.
The lovely voice of the Goualeuse had made a strong impression on her unknown defender, and, in sooth, that voice, so gentle, so deliciously modulated and harmonious, had an attraction so irresistible that the horde of villains and abandoned women, in the midst of whom this unfortunate girl lived, often begged her to sing, and listened to her with rapture.
The Goualeuse had another name, given, doubtless, to the maiden sweetness of her countenance,—she was also called Fleur-de-Marie.
The defender of La Goualeuse (we shall call the unknown Rodolph) appeared about thirty-six years of age; his figure, tall, graceful, and admirably proportioned, yet did not betoken the astonishing vigour which he had displayed in his rencounter with the Chourineur.
It would have been difficult to assign a decided character to the physiognomy of Rodolph. Certain wrinkles in his forehead betokened a man of meditation; and yet the firm expression of his mouth, the dignified and bold carriage of the head, assured us of the man of action, whose physical strength and presence of mind would always command an ascendancy over the multitude.
The Chourineur, Rodolph, and La Goualeuse
Etching by Adrian Marcel, after the drawing by Frank T. Merrill