"Ah, apropos of the count and the colonel, when may we expect their return? Will they have soon completed their respective missions?"

"You know that monseigneur will keep them away as long as possible, that he may enjoy more solitude and liberty. As to the errand on which his royal highness has employed each of them, as an ostensible motive for getting rid of them in a quiet way,—sending one to Avignon and the other to Strasbourg,—I will tell you all about it some day, when we are both in a dull mood; for I will defy the most hypochondriacal person in existence not to burst with laughter at the narrative, as well as with certain passages in the despatches of these worthy gentlemen, who have assumed their pretended missions with so serious an air."

"To tell the truth, I have never clearly understood why his royal highness attached the colonel and the count to his private person."

"Why, my dear fellow, is not Colonel Verner the accurate type of military perfection? Is there, in the whole Germanic confederation, a more elegant figure, more flourishing and splendid moustaches, and a more complete military figure? And when he is fully decorated, screwed in, uniformed, gold-laced, plumed, etc., etc., it is impossible to see a more glorious, self-satisfied, proud, handsome—animal."

"True, but it is his very good looks that prevent him from having the appearance of a man of refined and acute intellect."

"Well! and monseigneur says that, thanks to the colonel, he is in the habit of finding even the dullest people in the world bearable. Before certain audiences, which are of necessity, he shuts himself up with the colonel for a half-hour or so, and then leaves him, full of spirits and light as air, quite ready to meet bores and defy them."

"Just as the Roman soldier who, before a forced march, used to sole his sandals with lead, and so found all fatigue light by leaving them off. I now discover the usefulness of the colonel. But the Count d'Harneim?"

"Is also very serviceable to our dear lord; for, always hearing at his side the tinkling of this old cracked bell, shining and chattering,—continually seeing this soap-bubble so puffed up with nothingness, so magnificently variegated, and, as such, portraying the theatrical and puerile phase of sovereign power,—his royal highness feels the more sensibly the vanity of those barren pomps and glories of the world, and, by contrast, has often derived the most serious and happy ideas from the contemplation of his useless and pattering chamberlain."

"Well, well; but let us be just, my dear Murphy: tell me, in what court in the world would you find a more perfect model of a chamberlain? Who knows better than dear old D'Harneim the numberless rules and strict observances of etiquette? Who bears with more becoming demeanour an enamelled cross around his neck, or more majestically comports himself when the keys of office are suspended from his shoulders?"

"Apropos, baron; monseigneur declares that the shoulders of a chamberlain have a peculiar physiognomy: that is, he says, an appearance at once constrained and repulsive, which it is painful to look at; for, alas and alackaday! it is at the back of a chamberlain that the symbol of his office glitters, and, as monseigneur avers, the worthy D'Harneim always seems tempted to present himself backwards, that his importance may at once be seen, felt, and acknowledged."