CHAPTER XXIV.
THE FOUR STORIES.
The damp, dark staircase looked still more gloomy through the fog of a November day. The entrance to each separate set of apartments in this house bore its own peculiar and distinctive character to the observant eye. Thus, the door conducting to those of the commandant bore evidences of having been recently painted in close imitation of ebony, being further set off with a brass knob rubbed up to a most dazzling brightness, while a gay-coloured bell-rope, finished by an enormous tassel of scarlet silk, contrasted strongly with the mean and shabby wall against which it hung.
The door of the flight above, where dwelt the female money-lender and dealer in divination, was singularly characterised by the appearance of that mystical symbol of deep wisdom and oracular knowledge, an owl, which, stuffed to resemble life as closely as the artist could contrive it, was nailed on a small bracket just above the doorway; while a sort of small wicket, latticed with wire-work, enabled all visitors to be duly scrutinised ere they were admitted.
The dwelling of the Italian charlatan, who was said to pursue such fearful avocations, had, likewise, its whimsical mode of designating the pursuits of its occupant, whose name, traced in large letters formed of horses' teeth upon a square black board, was nailed to the entrance-door; while, instead of adopting the classical agency of a deer's foot or a hare's pad for the handle of his bell, there hung dangling from the cord the hand and arm of a dried ape,—the withered limb, the shrivelled hand, with its five fingers, each so distinctly preserved, and the articulation of every joint so clearly defined, the tiny tips bearing the nails long and taper as those of a human creature, presented a close and hideous resemblance to the hand and arm of a child.
As Rodolph passed before a door so singularly indicative of all his worst suspicions, he fancied he could detect the sound of smothered sobs from within. Then rose up a cry so full of agony, of convulsive, irrepressible misery,—a cry as if wrung from a breaking heart or the last wail of expiring nature, that the whole house seemed to reëcho it. Rodolph started; then, by a movement more rapid than thought itself, he rushed to the door and violently pulled the bell.
"What is the matter, sir?" inquired the astonished porter.
"That cry!" said Rodolph; "did you not hear it?"
"Yes, yes, I heard it; I dare say it is some person whose teeth M. Bradamanti is taking out; perhaps he may be taking out several,—and it is painful!"
This explanation, though a probable one, did not satisfy Rodolph as to the horrid scream which still resounded in his ears. Though he had rung the bell with considerable violence, no person had as yet replied to his summons; he could distinctly hear the shutting of several doors, and then, behind a small oval glass let in beside the door, and on which Rodolph had mechanically kept his eyes fixed, he saw the haggard, cadaverous countenance of a human being; a mass of reddish hair strongly mixed with gray, and a long beard of the same hue, completed the hideous ensemble; the face was seen but for an instant, and vanished as quickly as though it had been a mere creation of fancy, leaving Rodolph in a state of perturbation impossible to describe.