A thousand contradictory emotions disturbed the mind of Rodolph, as he thought of his interview with Madame d'Harville. Firmly resolved to resist the predilection which attracted him to her society, sometimes he congratulated himself on being able to cast off his love for her by the recollection of her having entangled herself with such a being as Charles Robert; and the next instant he bitterly deplored seeing the flattering veil with which he had invested his idol fall to the ground.
Clémence d'Harville, on her part, awaited the approaching interview with much anxiety; but the two prevailing sentiments which pervaded her breast were painful confusion, when she remembered the interference of Rodolph, and a fixed aversion when she thought of M. Charles Robert, and many reasons were concerned in this feeling of dislike almost approaching hatred itself. A woman will risk her honour or her life for a man, but she will never pardon him for having placed her in a mortifying or a ridiculous situation.
Madame d'Harville felt her cheeks flush, and her pulse beat rapidly as she indignantly recalled the insulting looks and impertinent remarks of Madame Pipelet. Nor was this all. After receiving from Rodolph an intimation of the danger she was incurring, Clémence had proceeded rapidly towards the fifth floor, as directed, but the position of the staircase was such that, as she hurried on, she perceived M. Charles Robert in his dazzling robe de chambre, at the very instant when, recognising the light step of the woman he expected, he, with a self-satisfied, confident, and triumphant look, set the door of his apartment half open. The air of insolent familiarity, expressed by the negligée toilet he had assumed, quickly enabled the marquise to perceive how entirely she had been mistaken in his character. Led away by the kindness and goodness of her heart, and the generosity of her disposition, to take a step which might for ever destroy her reputation, she had accorded this meeting, not from love, but solely from commiseration, in order to console him for the ridiculous part the bad taste of the Duke de Lucenay had made him play before her at the embassy. Words can ill describe the disgust and vexation with which Madame d'Harville beheld the slipshod déshabillé of the commandant, implying as it did his opinion how completely her ill-judged condescension had broken down the barriers of etiquette, and led him to consider no further respect towards her necessary.
The timepiece in the small salon which Madame d'Harville ordinarily occupied struck nine o'clock. Dressmakers and tavern-keepers have so much abused the style of Louis XV. and the Renaissance, that the marquise, a woman of infinite taste, had excluded from her apartments this description of ornament, now become so vulgarised, and confined it to that part of the hôtel devoted to the reception of visitors and grand entertainments. Nothing could be more elegant or more distingué than the fitting-up of the salon in which the marquise awaited Rodolph. The colour of the walls as well as the curtains (which, without either valances or draperies, were of Indian texture) was bright straw colour, on which were embroidered, in a darker shade, in unwrought silk, arabesques of the most beautiful designs and whimsical devices. Double curtains of point d'Alençon entirely concealed the windows. The rosewood doors were set off with gold mouldings, most beautifully carved, surrounding in each panel an oval medallion of Sèvres china, nearly a foot in diameter, representing a numberless variety of birds and flowers of surpassing brilliancy and beauty. The frames of the looking-glasses and the cornices of the curtains were also of rosewood, ornamented with similar raised work of silver gilt. The white marble mantelpiece, with its supporting caryatides of antique beauty and exquisite grace, was from the chisel of the proud and imperious Marochetti, that great artist having consented to sculpture this delicious chef-d'œuvre in imitation of Benvenuto Cellini, who disdained not to model ewers and armour. Two candelabras, and two candlesticks of vermeil, forming groups of small figures beautifully executed, stood on either side of the timepiece, which was formed of a square block of lapis lazuli raised on a pedestal of Oriental jasper, and surmounted with a large and magnificently enamelled golden cup, richly studded with rubies and pearls, once the property of the Florentine Republic. Several excellent pictures of the Venetian school, of middle size, completed this assemblage of elegance and refined taste.
Thanks to a most charming invention but recently introduced, this splendid yet simple apartment was lighted only by the soft rays of a lamp, the unground surface of whose crystal globe was half hid among a mass of real flowers, contained in an immensely large and deep blue and gold Japan cup, suspended from the ceiling like a lustre by three chains of vermeil, around which were entwined the green stalks of several climbing plants; while some of the flexible branches, thickly laden with flowers, overhanging the edge of the cup and hanging gracefully down, formed a waving fringe of fresh verdure, beautifully contrasting with the blue and gold enamel of the purple porcelain.
We have been thus precise in these details, trifling as they may seem, in order to give some idea of the exquisite taste possessed by Madame d'Harville (the almost invariable companion of an elevated mind), and also because misfortunes always strike us as more poignantly cruel when they insinuate themselves into abodes like this, the favoured possessors of which seem gifted by Providence with everything to make life happy and enviable.
Buried in the downy softness of a large armchair, totally covered by the same straw-coloured Indian silk as formed the rest of the hangings, Clémence d'Harville sat, awaiting the arrival of Rodolph. Her hair was arranged in the most simple manner. She wore a high dress of black velvet, which well displayed the beauty and admirable workmanship of her large collar and cuffs of English lace, which prevented the extreme black of the velvet from contrasting too harshly with the dazzling whiteness of her throat and hands.
In proportion as the hour approached for her interview with Rodolph, the emotion of the marquise increased; but by degrees her embarrassment ceased, and firmer resolves took possession of her mind. After a long and mature reflection she came to the determination of confiding to Rodolph a great, a cruel secret, hoping by her frankness to win back that esteem she now so highly prized. Awakened by gratitude, her pristine admiration of Rodolph returned with fresh force; one of those secret whispers, which rarely deceives the heart that loves, told her that chance alone had not brought the prince so opportunely to her succour, and that his studied avoidance of her society during the last few months had originated in anything but indifference. A vague suspicion also arose in her mind as to the reality and sincerity of the affection Sarah professed for her.
While deeply meditating on all these things, a valet de chambre, having first gently tapped at the door, entered, saying: