To her profound gratitude towards Rodolph was united involuntary admiration of the gracefulness, strength, and manly beauty which distinguished him from other men. Nothing could be less gross, more pure, than this admiration; but it existed in full and active force, because physical beauty is always attractive. And then the voice of blood, so often denied, mute, unknown, or misinterpreted, is sometimes in full force, and these throbs of passionate tenderness which attracted Fleur-de-Marie towards Rodolph, and which so greatly startled her, because in her ignorance she misinterpreted their tendency, these feelings resulted from mysterious sympathies, as palpable, but as inexplicable, as the resemblance of features. In a word, Fleur-de-Marie, on learning that she was Rodolph's daughter, could have accounted to herself for the strong affection she had for him, and thus, completely enlightened on the point, she would have admired without a scruple her father's manly beauty.
Thus do we explain Fleur-de-Marie's dejection. Although she was every instant awaiting, according to Madame d'Harville's promise, her release from St. Lazare, Fleur-de-Marie, melancholy and pensive, was seated on her bench near the basin, looking with a kind of mechanical interest at the sports of some bold little birds who came to play on the margin of the stone-work. She had ceased for an instant to work at a baby's nightgown, which she had just finished hemming. Need we say that this nightgown belonged to the lying-in clothes so generously offered to Mont Saint-Jean by the prisoners, through the kind intervention of Fleur-de-Marie? The poor misshapen protégée of La Goualeuse was sitting at her feet, working at a small cap, and, from time to time, casting at her benefactress a look at once grateful, timid, and confiding, such a look as a dog throws at his master. The beauty, attraction, and delicious sweetness of Fleur-de-Marie had inspired this fallen creature with sentiments of the most profound respect.
There is always something holy and great in the aspirations of a heart, which, although degraded, yet feels for the first time sensations of gratitude; and, up to this time, no one had ever given Mont Saint-Jean the opportunity of even testifying whether or not she could comprehend the religious ardour of a sentiment so wholly unknown to her. After some moments Fleur-de-Marie shuddered slightly, wiped a tear from her eyes, and resumed her sewing with much activity.
"You will not then leave off your work even during the time for rest, my good angel?" said Mont Saint-Jean to La Goualeuse.
"I have not given you any money towards buying your lying-in clothes, and I must therefore furnish my part with my own work," replied the young girl.
"Your part! Why, but for you, instead of this good white linen, this nice warm wrapper for my child, I should have nothing but the rags they dragged in the mud of the yard. I am very grateful to my companions who have been so very kind to me; that's quite true! But you!—ah, you!—how can I tell you all I feel?" added the poor creature, hesitating, and greatly embarrassed how to express her thought. "There," she said, "there is the sun, is it not? That is the sun?"
"Yes, Mont Saint-Jean; I am attending to you," replied Fleur-de-Marie, stooping her lovely face towards the hideous countenance of her companion.
"Ah, you'll laugh at me," she replied, sorrowfully. "I want to say something, and I do not know how."
"Oh, yes, say it, Mont Saint-Jean!"
"How kind you look always," said the prisoner, looking at Fleur-de-Marie in a sort of ecstasy; "your eyes encourage me,—those kind eyes! Well, then, I will try and say what I wish: There is the sun, is it not? It is so warm, it lights up the prison, it is very pleasant to see and feel, isn't it?"