The coach stopped, and the Chourineur alighted.
CHAPTER XI.
THE FINGER OF PROVIDENCE.
The Chourineur had forgotten that it was the day after mid-Lent, and was consequently greatly surprised at the sight, at once hideous and singular, which presented itself to his view when he arrived at the exterior boulevard, which he was traversing to reach the barrier of Charenton.
He found himself suddenly in the thickest of a dense throng of people, who were coming out of the cabarets of the Faubourg de la Glacière, in order to reach the Boulevard St. Jacques, where the execution was to take place.
Although it was broad daylight, there was still heard the noisy music of the public-houses, whence issued particularly the loud echoes of the cornets-à-piston. The pencil of Callot, of Rembrandt, or of Goya is requisite to limn the strange, hideous, and fantastical appearance of this multitude.
Almost all of them, men, women, and children, were attired in old masquerade costumes. Those who could not afford this expense had on their clothes rags of bright colours. Some young men were dressed in women's clothes, half torn and soiled with mud. All their countenances, haggard from debauchery and vice, and furrowed by intoxication, sparkled with savage delight at the idea that, after a night of filthy orgies, they should see two women executed on the scaffold prepared for them.
The foul and fetid scum of the population of Paris,—this vast mob—was formed of thieves and abandoned women, who every day tax crime for their daily bread, and every evening return to their lairs with their vicious spoils.[1]