"By the way of Latin," put in the artisan, addressing his wife, "did Lefevre drop in during the day?"
"No, my friend; I am as much surprised as yourself at the increasing rareness of his calls; formerly few were the days that he did not visit us; perhaps he is sick, or absent from Paris. I shall inquire after him to-morrow."
"Lefevre is a learned Latinist," said Christian, addressing Monsieur John; "he is one of my oldest friends; he teaches at the University. He is a rough and tough mountaineer from Savoy. But under his rude external appearance beats an excellent heart. We think very highly of him."
Christian was about to proceed when he was interrupted by the following ditty that came from the street, and was sung by a sonorous voice:
| "A Franc-Taupin had an ash-tree bow, |
| All eaten with worms, and all knotted its cord; |
| His arrow was made out of paper, and plumed, |
| And tipped at the end with a capon's spur. |
| Derideron, vignette on vignon! Derideron!" |
"It is uncle! His favorite song announces him!" said Hena joyfully, as she rose to open the house-door.
CHAPTER VI.
THE FRANC-TAUPIN.
Josephin, Bridget's brother, surnamed Tocquedillon the Franc-Taupin, stepped into the room. A soldier of adventure since his fifteenth year, he had run away from the paternal home, and soon thereafter enrolled with the Franc-Taupins, a sort of irregular militia, whose duty it was to dig the trenches intended to cover the approaches of the assailants at the siege of a city. These mercenary soldiers were named "Franc-Taupins" because, like the franc archers, they were "frank" or free from taxation, and because their underground work bore great resemblance to that of the taupe—mole. Once out of their trenches, the saying was, the Franc-Taupins displayed but little courage. Whether justly or unjustly, the poltroonery of the Franc-Taupin became proverbial, as evidenced by the favorite song of Bridget's brother. This personage, however, was anything but a poltroon. Just the reverse. After he had twice or three times turned up the earth at as many sieges, he disdained to belong to a corps of such cowardly renown, and enrolled in another irregular militia, one that stood in general dread—the Adventurers or Pendards, of whom a contemporaneous writer drew the following and, unfortunately, but too truthful picture:
"What a vagabond, flagitious, murderous set are these Pendards! They are deniers of God, ravishing wolves, violators of women, devourers of the people! They drive the good man out of his house, empty his pot of wine and sleep in his bed. Their garb matches their disorderly habits. They wear shirts with long sleeves, open in front and exposing their hirsute chests; their streaked hose do not cover their flesh; their calves are left bare and they carry their socks in their belts for fear of wearing them out. Poultry trembles in the hen-coops at their approach, and so does bacon in the pantry. Brawling, roistering, audacious, ever with their mouths wide open, they love nothing better than to guzzle in company the wine that they have jointly stolen."
Despite his intrepidity in war, and without resembling at all points this picture of the Pendards, Tocquedillon the Franc-Taupin, preserved strong features of the same. For all that, however, he adored, venerated his sister, and from the moment that he sat down at her hearth he would seem metamorphosed. Nothing in either his words or his conduct would then recall the audacious adventurer. Timid, affectionate, realizing how unbecoming the slang of the tavern or of even worse places would be in the presence of Bridget's children, of whom he was as fond as of her herself, he always controlled himself and never uttered in their presence any but decorous language. For Christian he had as much love as respect. As the saying goes, he would have gone through fire for the family. The Franc-Taupin was at this time about thirty years of age; he was lean, bony and about six feet high. Scarred with innumerable wounds, and partly blinded in battle, he wore a large black patch over his left eye. He kept his hair close cropped, his beard cut into a point under his chin, and his moustache twisted upward. His nose was pimply through excessive indulgence in wine, and his thick-lipped mouth, slit from ear to ear, exposed two rows of desultory shark's teeth every time that, as a true roisterer, he gave a loose to his imperturbable mirthfulness.