The curtains of the room was half closed, and admitted only a doubtful light to the bed on which Rodin was lying. The Jesuit’s features had lost the greenish hue peculiar to cholera patients, but remained perfectly livid and cadaverous, and so thin, that the dry, rugged skin appeared to cling to the smallest prominence of bone. The muscles and veins of the long, lean, vulture-like neck resembled a bundle of cords. The head, covered with an old, black, filthy nightcap, from beneath which strayed a few thin, gray hairs, rested upon a dirty pillow; for Rodin would not allow them to change his linen. His iron-gray beard had not been shaved for some time, and stood out like the hairs of a brush. Under his shirt he wore an old flannel waistcoat full of holes. He had one of his arms out of bed, and his bony hairy hand, with its bluish nails, held fast a cotton handkerchief of indescribable color.
You might have taken him for a corpse, had it not been for the two brilliant sparks which still burned in the depths of his eyes. In that look, in which seemed concentrated all the remaining life and energy of the man, you might read the most restless anxiety. Sometimes his features revealed the sharpest pangs; sometimes the twisting of his hands, and his sudden starts, proclaimed his despair at being thus fettered to a bed of pain, whilst the serious interests which he had in charge required all the activity of his mind. Thus, with thoughts continually on the stretch, his mind often wandered, and he had fits of delirium, from which he woke as from a painful dream. By the prudent advice of Dr. Baleinier, who considered him not in a state to attend to matters of—importance, Father d’Aigrigny had hitherto evaded Rodin’s questions with regard to the Rennepont affair, which he dreaded to see lost and ruined in consequence of his forced inaction. The silence of Father d’Aigrigny on this head, and the ignorance in which they kept him, only augmented the sick man’s exasperation. Such was the moral and physical state of Rodin, when Cardinal Malipieri entered his chamber against his will.
CHAPTER XXVII. THE LURE.
To understand fully the tortures of Rodin, reduced to inactivity by sickness, and to explain the importance of Cardinal Malipieri’s visit, we must remember the audacious views of the ambitious Jesuit, who believed himself following in the steps of Sixtus V., and expected to become his equal. By the success of the Rennepont affair, to attain to the generalship of his Order, by the corruption of the Sacred College to ascend the pontifical throne, and then, by means of a change in the statutes of the Company, to incorporate the Society of Jesus with the Holy See, instead of leaving it independent, to equal and almost always rule the Papacy—such were the secret projects of Rodin.
Their possibility was sanctioned by numerous precedents, for many mere monks and priests had been suddenly raised to the pontifical dignity. And as for their morality, the accession of the Borgias, of Julius II., and other dubious Vicars of Christ, might excuse and authorize the pretensions of the Jesuits.
Though the object of his secret intrigues at Rome had hitherto been enveloped in the greatest mystery, suspicions had been excited in regard to his private communications with many members of the Sacred College. A portion of that college, Cardinal Malipieri at the head of them, had become very uneasy on the subject, and, profiting by his journey to France, the cardinal had resolved to penetrate the Jesuit’s dark designs. If, in the scene we have just painted, the cardinal showed himself so obstinately bent on having a conference with Rodin, in spite of the refusal of the latter, it was because the prelate hoped, as we shall soon see, to get by cunning at the secret, which had hitherto been so well concealed. It was, therefore, in the midst of all these extraordinary circumstances, that Rodin saw himself the victim of a malady, which paralyzed his strength, at the moment when he had need of all his activity, and of all the resources of his mind. After remaining for some seconds motionless near the door, the cardinal, still holding his bottle under his nose, slowly approached the bed where Rodin lay.
The latter, enraged at this perseverance, and wishing to avoid an interview which for many reasons was singularly odious to him, turned his face towards the wall, and pretended to be asleep. Caring little for this feint, and determined to profit by Rodin’s state of weakness, the prelate took a chair, and, conquering his repugnance, sat down close to the Jesuit’s bed.
“My reverend and very dear father, how do you find yourself?” said he to him, in a honeyed tone, which his Italian accent seemed to render still more hypocritical. Rodin pretended not to hear, breathed hard, and made no answer. But the cardinal, not without disgust, shook with his gloved hand the arm of the Jesuit, and repeated in a louder voice: “My reverend and very dear father, answer me, I conjure you!”
Rodin could not restrain a movement of angry impatience, but he continued silent. The cardinal was not a man to be discouraged by so little; he again shook the arm of the Jesuit, somewhat more roughly, repeating, with a passionless tenacity that would have incensed the most patient person in the world: “My reverend and very dear father, since you are not asleep, listen to me, I entreat of you.”