“I should have much wished to pay my respects to Mdlle. de Cardoville,” said Agricola; “but I feared to intrude.”
“My lady is not quite well, sir,” said Florine, “and receives no one to day. I am sure, that as soon as she is better, she will be quite pleased to see you.”
Here Mother Bunch returned, and said to Agricola: “If you can come for me to-morrow, about three o’clock, so as not to lose the whole day, we will go to the factory, and you can bring me back in the evening.”
“Then, at three o’clock to-morrow, my good sister.”
“At three to-morrow, Agricola.”
The evening of that same day, when all was quiet in the hotel, Mother Bunch, who had remained till ten o’clock with Mdlle. de Cardoville, re entered her bedchamber, locked the door after her, and finding herself at length free and unrestrained, threw herself on her knees before a chair, and burst into tears. She wept long—very long. When her tears at length ceased to flow, she dried her eyes, approached the writing-desk, drew out one of the boxes from the pigeonhole, and, taking from this hiding-place the manuscript which Florine had so rapidly glanced over the evening before, she wrote in it during a portion of the night.
CHAPTER XLVI. MOTHER BUNCH’S DIARY.
We have said that the hunchback wrote during a portion of the night, in the book discovered the previous evening by Florine, who had not ventured to take it away, until she had informed the persons who employed her of its contents, and until she had received their final orders on the subject. Let us explain the existence of this manuscript, before opening it to the reader. The day on which Mother Bunch first became aware of her love for Agricola, the first word of this manuscript had been written. Endowed with an essentially trusting character, yet always feeling herself restrained by the dread of ridicule—a dread which, in its painful exaggeration, was the workgirl’s only weakness—to whom could the unfortunate creature have confided the secret of that fatal passion, if not to paper—that mute confidant of timid and suffering souls, that patient friend, silent and cold, who, if it makes no reply to heart rending complaints, at least always listens, and never forgets?
When her heart was overflowing with emotion, sometimes mild and sad, sometimes harsh and bitter, the poor workgirl, finding a melancholy charm in these dumb and solitary outpourings of the soul, now clothed in the form of simple and touching poetry, and now in unaffected prose, had accustomed herself by degrees not to confine her confidences to what immediately related to Agricola, for though he might be mixed up with all her thoughts, for reflections, which the sight of beauty, of happy love, of maternity, of wealth, of misfortune, called up within her, were so impressed with the influence of her unfortunate personal position, that she would not even have dared to communicate them to him. Such, then, was this journal of a poor daughter of the people, weak, deformed, and miserable, but endowed with an angelic soul, and a fine intellect, improved by reading, meditation, and solitude; pages quite unknown, which yet contained many deep and striking views, both as regard men and things, taken from the peculiar standpoint in which fate had placed this unfortunate creature. The following lines, here and there abruptly interrupted or stained with tears, according to the current of her various emotions, on hearing of Agricola’s deep love for Angela, formed the last pages of this journal: