CHAPTER II.
If Laura Murdock was not quite so young as she looked, she was far from appearing her real age, which was twenty-five. A casual observer at most, would have accorded her twenty. In her case Nature had been unusually kind. Her skin was soft as a new-born infant's, her complexion fresh as the unplucked rose, her expression innocent and unsophisticated. A priest unhesitatingly would have given her absolution without confession. Her baby face, her childish prettiness and air of unaffected ingenuousness, her good taste in dress, her natural refinement, and cleverness in keeping men guessing had been, indeed, the chief keystones of her success. And, most remarkable of all, perhaps, was that she had been able to retain this prettiness and girlishness after what she had gone through, for, at the time this narrative opens, Laura Murdock had already lived a career which would have made a wreck of most women.
Born in Melbourne, of English parents, she came at an early age from Australia to San Francisco. Her father was connected in a business capacity with one of the local theatrical companies, and the young girl naturally drifted to the stage. She had only a mediocre histrionic talent, but what was perhaps more important, she had uncommon good looks, and she soon found that beauty was not only a valuable asset, but a sure lever to success. The critics praised her, not because she acted well, but because she dressed exquisitely, and pleased the eye. Managers and authors flattered her. Soon she found, to her amazement, that she was the success of the hour. Stage Johnnies raved about her; sent her flowers and invited her to supper; women envied her, and said spiteful things. Portraits of her in various attitudes appeared in the newspapers and magazines. In a single night she was carried high on the top wave of sensational popularity.
The outcome was only logical. Even a virtuous woman could not stand the strain, and Laura was not virtuous. Of neurotic temperament, inherently weak, if not actually vicious in character, with the spirit of the courtesan strong within her from an early age, fond of luxury and personal adornment she could not legitimately afford, it was not surprising that she listened to the flatterers and went to the devil quicker than any woman before her in the whole history of gallantry. At the end of her first season, her reputation was completely in tatters. Accepting the situation philosophically, she did not pretend to be better than she was, but she was clever enough not to cheapen herself by entangling herself too promiscuously. She had lovers by the score, yet none could boast of having really won her heart. A woman of superficial emotions, she was entirely without depth, yet so long as it suited her purpose, she was able to conceal this shallowness and profess for the admirer of the moment the greatest affection and devotion. This is an art and she was an adept at it. Sensually she quickly attracted men, and it was not long before she became a prime favorite in the select circles that made such resorts as "The Yellow Poodle" and "Moreland's" famous, yet in her dissipations she was always careful not in any way to indulge in excesses which would jeopardize her physical attractiveness, or for one moment diminish her keen sense of worldly calculation.
One day, obeying a foolish impulse, she married. The venture was, of course, a failure. Her selfish vacillating nature was such that she could not remain true to the poor fool who had given her his name. To provide the luxuries she incessantly demanded, he embezzled the funds of the bank where he was employed, and when exposure came, and he was confronted with a jail sentence, she was horrified to see him kill himself in front of her. There was a momentary spasm of grief, a tidal wave of remorse, followed in a few brief weeks by the peculiar recuperation of spirits, beauty and attractiveness that so marks this type of woman. Gradually she became hardened and indifferent. She began to view life as a hunting field, in which the trophy went to the hardest rider. Deceived herself by men, she finally arrived at that stage of life known in theatrical circles as "wised up."
Coming to New York, she attracted the attention of a prominent theatrical manager, and was given a part, in which she happened to make a hit. This was enough to immediately establish her reputation on the metropolitan stage. The fact that before reaching the age of womanhood, she had had more escapades than most women have in their entire lives, was not generally known in Manhattan, nor was there a mark upon her face or a single coarse mannerism to betray it. She was soft voiced, very pretty, very girlish, yet she was no fool. Her success did not turn her head or blind her to her shortcomings as an actress. She realized that in order to maintain her position she must have some influence outside of her own ability, so she laid plans to entangle in her net a hard-headed, blunt and supposedly soubrette-proof theatre manager. He fell victim to her charms, and in his cold, stolid way, gave her what love there was in him. Still not satisfied, she played two ends against the middle, and finding a young man of wealth and position, who could give her in his youth an exuberance of joy utterly apart from the character of the theatrical manager, she allowed him to shower her with presents. When his money was gone, she cast him aside and demurely resumed her relations with the unsuspecting theatre manager. The jilted lover became crazed, and one night at a restaurant, attempted to murder them both.
From that time on, her career was a succession of brilliant coups in gaining the confidence and love, not to say the money, of men of all ages, and all walks of life. Her powers of fascination were as potent as her professions of reform were insincere. She never made an honest effort to be an honest woman, she never tried to do the square thing. Yet, like other women of her type, she found all sorts of excuses for her wrongdoing. She pretended that she was persecuted, a victim of circumstances, and was ever ready to explain away the viciousness of character, which was really responsible for her troubles.
In spite of her success on the stage, she was an indifferent actress. Her lack of true feeling, her abuse of the dramatic temperament in her private affairs, had been such as to make it impossible for her sincerely to impress audiences with genuine emotional power, and therefore, despite the influences which she always had at hand, she remained a mediocre artist.
Her meeting with Willard Brockton was, from her point of view, the best possible thing that could have happened. Brockton was a New York stock broker, and like many men of his tastes and means, was a good deal of a sensualist. Of morals he frankly confessed he had none, yet he was an honest sensualist for he played the game fair. He never forgot that he was a gentleman. He was perfectly candid about his amours and never expected more from a woman than he could give to her. He was honest in this, that he detested any man who sought to take advantage of a pure woman. He abhorred any man who deceived a woman. The same in love as in business, he believed that there was only one way to go through life, and that was to be straight with those with whom one deals. A master hand in stock manipulation and other questionable practices of Wall Street, he realized that he had to pit his cunning against the craft of others. He was not at all in sympathy with present-day business methods, but he did not see any particular reason why he should constitute himself a reformer. Although still in the prime of life, he cared nothing for society and held aloof from it. If he went to the trouble to keep in touch at all with people of his own set, it was simply for business reasons. What he seemed to delight in most was the life of Bohemia, with its easy camaraderie, its lax moral code, its contempt for the conventions. He enjoyed the company of women of facile virtue, the gay little supper parties after the theatre, and the glass that inebriates and cheers, in a word, he enjoyed going the pace that kills. He was a man of many liasons, but none were as serious or had lasted so long as his present pact with Laura Murdock. No woman before had been clever enough to hold him. He appeared very fond of her, and completely under her influence. His friends shook their heads, looked wise, and took and gave odds that he would be so foolish as to marry her.