“Ain't they weltin' the daylights out o' that bell? All foolishness! Now they're ringin' the number—one, two, three, four. Yes, sir, that's up in the West End. You goin'? Come on, then.”
“No, Frank, I can't let you go. You've got your lessons to get. Well, now, mother, make up your mind if you're comin' along. Cora, what on earth are you doing out here in the night air with nothing around you? Now, you mosey right back into that parlor, and don't you make a move off that piano-stool till your hour's up. Do you hear me? No. Frank. I told you once you couldn't go and that ends it. Stop your whining! I can't have you running hither and yon all hours of the night, and we not know where you are. Well, hurry up, then, mother. Take him in with you. Oh, just throw a shawl over your head. Nobody 'll see you, or if they do they won't care.” The apparatus trundles by, the bells on the trucks tolling sadly as the striking gear on the rear axle engages the cam. A hurrying throng scuffles by in the gloom. The tolling grows fainter, the throng thinner.
“Good land! Is she going to be all night? Wish 't I hadn't proposed it. That's the worst of taking a woman anyplace. Fuss and fiddle by the hour in front of the looking-glass. Em! (Be all over by the time we get there) Oh, Em! Em!... EM! (Holler my head offl) EM!.... Well, why don't you answer me? Well, I didn't hear you. How much long—Oh, I know about— 'Hour' you mean.... Oh, how do you do, Mrs. Conklin? Hello, Fred. Pleased to meet you, Miss Shoemaker. Yes, I saw in the paper you were visiting your sister. This your first visit to our little burg? Yes, we think it's quite a place. You see, we're trying to make your stay as interesting as possible.... Oh, no, not altogether on your account. No, no. Ha! Ha-ha-ha! Hum! ah!... Well, yes, if she ever gets done primping up. Oh, there you are. Miss Shoemaker, let me make you acquainted with my wife. Now, you girls'll have to get a move on if you want to see anything.”
The male escorts grasp the ladies' arms and shove them ahead, that being the only way if you are ever going to get any place. The women gasp and pant and make a great to-do.
“Ooh! Wait till I get my breath. Will! Weeull! Don't go so fay-ust! Oooh! I can't stand it. Oh, well, you're a man.”
But when they turn the corner that gives them a good view of the blaze, fluttering great puffs of flame, and hear the steady crackle and snapping, as it were, of a great popper full of pop-corn, they, too, catch the infection, and run with a loud swashing and slatting of skirts, giggling and squealing about their hair coming down.
In the waving orange glare the crowd is seen, shifting and moving. It seems impossible for the onlookers to remain constant in one spot. The chief, Charley Lomax, is gesticulating with wide arm movements. He puts his speaking-trumpet to his mouth. “Yoffemoffemoffemoffemoffi” he says.
“Wha-at?” the men halloo back.
“Yoffemoffemoffemoffemoff.”
“What'd he say?”