It was very funny to see the little lady curled up on a couch, propped by cushions, running over her strings of memories with pleased alacrity, then jumping down in her stockings to pour out tea for her guests in utter disregard of her shoes, which lay idly by the sofa, even when we took leave of her; and as she accompanied us to the door, the white stockings conspicuously displayed themselves at every step, without the slightest attempt at concealment. (At that time black stockings would have been thought an abomination.)

Almost every morning saw Mr. Hamerton in the exhibition before the crowd of visitors arrived, so that he was able to study in peace and profitably. He had had a card-case, and cards of a convenient size and thickness, made especially to take notes upon, and he devoted a separate card to every picture worth studying. It was a very convenient plan, with alphabetical classification for references; every time he went he took with him a fresh supply, and was not encumbered with those he had already filled up.

Generally some etcher met him by appointment, and together they selected pictures to be reproduced for the "Portfolio." His evenings were mostly taken up by invitations; and it was well for his wife that she had been mercifully exempted by nature from jealous tendencies, for the ladies paid the author of "Marmorne" such a tribute of admiration that he was sometimes abashed by their fervor, yet never intoxicated. Friends had repeatedly told him that he could win the hearts of men, and if women dared not say as much of themselves, they let him see that he exercised a great and healthy influence over them too; he also enjoyed their society, and though he did not mean it to be a flattery, they accepted it as such.

Amongst artists and men of letters he was acknowledged as a writer of genuine worth and extensive acquirements. There is a proof of it in a letter addressed to him by M. Véron, editor of "L'Art," on merely guessing that Mr. Hamerton must be the writer of a criticism of his "Esthétique" in the "Saturday Review."

"PARIS, 11 9_bre_, 1878.

"CHER MONSIEUR,—On me communique une revue très remarquable de la 'Saturday Review' sur mon 'Esthétique.' Ce qui distingue cet article c'est une sérieuse connaissance du sujet et une puissance d'analyse des plus rares. Cela ne ressemble en rien à ces généralités vagues et flottantes dont se contentent la plupart des écrivains qui font de la critique dans la revue des journaux. Aussi ai-je éprouvé à être loué par un pareil homme une jouissance infiniment plus vive que celle qu'auraient pu me procurer des éloges beaucoup plus hyperboliques, mais moins compétents.

"Cet homme, je suppose que c'est vous. Si je ne me trompe pas, permettez-moi de vous dire que je me sens singulièrement heureux de me rencontrer en fait d'esthétique avec un écrivain capable de raisonner sur ces questions comme l'a fait l'auteur de l'article de la 'Saturday Review.'"

More acquaintances amongst artists were made during his stay in Paris, including Bracquemond, Protais, Feyen-Perrin, Waltner, Lhermitte, and Munkacsy.

Having finished his work in the exhibition, my husband went home to write a notice of it for the "International Review." In the course of November his eldest son Stephen passed a successful examination for the second part of the Baccalauréat-ès-Lettres, and as the boy was now to study at home, his father frequently employed him to write letters under his dictation. It was very good practice for Stephen, and spared his father's time for painting and drawing.

At the beginning of 1879, Mr. R. L. Stevenson had sent a manuscript to Mr. Hamerton, with a request that he would read it, and recommend it to a publisher if it were thought worth the trouble. It was appreciated, and a successful sale expected. In the interest of Mr. Stevenson, my husband advised him to sacrifice the idea of immediate payment, and to retain the copyright, hoping that it would prove more advantageous. However, the young author preferred the ready cash, which he may have been in need of; nevertheless acknowledging afterwards that it would have been preferable to have acted according to the sound advice given at the time.