"I was blamed by a common friend for asking you to give me a testimonial: in the circumstances he thought it was indelicate. Lest, by some calamity, you should ever have felt the same way, I must say in two words how the matter appeared to me. That silly story of the election altered in no tittle the value of your testimony: so much for that. On the other hand, it led me to take a quite particular pleasure in asking you to give it; and so much for the other. I trust even if you cannot share it, you will understand my view.

"I am in treaty with Bentley for a life of Hazlitt; I hope it will not fall through, as I love the subject, and appear to have found a publisher who loves it also. That, I think, makes things more pleasant. You know I am a fervent Hazlittite; I mean, regarding him as the English writer who has had the scantiest justice. Besides which, I am anxious to write biography; really, if I understand myself in quest of profit, I think it must be good to live with another man from birth to death. You have tried it and know.

"How has the cruising gone? Pray remember me to Mrs. Hamerton and your son, and believe me,

"Yours very sincerely,

"ROBERT LOUIS STEVENSON."

Throughout this year the diary was kept in Italian, and the reading of Italian books was pretty regularly kept up; among them were Olanda, Petrarch, and Ariosto. He soon abandoned Petrarch, whom he did not value much; here is the reason: "I prefer the clear movement of Ariosto to all the conceits of the sonnet-maker."

"Human Intercourse" was begun, and to save time, two copies were written simultaneously—one for England and the other for America—by inserting a sheet of black copying paper between two sheets of thin "Field and Tuer" paper, and writing with a hard lead pencil and sufficient pressure to obtain a duplicate on the page placed underneath. Roberts Brothers were very desirous of seeing this new work, and had written: "We should like to make 'Human Intercourse' a companion volume to the 'Intellectual Life,' and the title is so suggestive of something good that we hope you will hasten the good time of its appearance."

The publication of the "Graphic Arts" had been fixed for March 1, but a copy having been got ready at the end of January, it was sent as a compliment to Mr. Sagar of the Burnley Mechanics' Institution, and Mr. Seeley said: "The Burnley people are delighted at having had the first sight of the 'Graphic Arts.' Mr. Sagar writes that from what he saw of it, he has no hesitation in saying that it is the best book you have written, and does great credit to everybody concerned in its production."

The book was highly appreciated by those competent to judge and understand the subjects. Mr. Haden wrote about it a letter of fourteen pages. Though he calls it himself "an unconscionably long letter," it is most interesting throughout, but I only quote a few passages from it.

"I have been reading the 'Graphic Arts' with great interest. It is, or rather must have been, a formidable undertaking. I like your chapter on 'Useful and Aesthetic Drawing.' Your insistence on keeping the two things separate, and claiming for each its value, is a great lesson—read, too, just at the right time.