"I would do little things," said the doctor, with whimsical soberness.
An unusual equipage was turning in from the Trinidad road—an equipage on which leather and varnish shone, and harness brasses flashed, while the dust rolled pompously after it in a freakish fantasy of postilions and outriders. The driver made a great business of his long whip. The horses were sleek and brown. Altogether the vehicle had a lordly air, easily matching that of the individual sitting alone on the purple cushions—a man whose features were not very clear at the distance, although the yellowness of his beard, the glitter of his studded shirt-front, and whole consequential, expansive effect recalled to the doctor's mind an image of the past, less ornate, indeed, and affluent, but of similar aspect. He narrowed his eyes, staring townward over Lola's head, and wondering if yonder princely personage might not in very truth be Lola's father.
But the girl's eyes were bent upon the ground. She did not see the equipage or the man on the purple cushions.
"You do little things?" she said, raising her eyes gravely to the doctor's. He had always seemed to her the man who did great things. "I will try," she added, seriously.
While she talked with the doctor the world seemed to Lola a pleasant place, with a golden light on its long levels and a purple glamour on its hills. And after he had left her, she went with a light heart down the unpaved street that she had lately traversed in unseeing bitterness. The very hum of the mine cars was full of good cheer; children splashed joyously in the ditch; magpies gossiped; the blacksmith-shop rang with a merry din of steel.
Set emerald-like in the yellow circle of the prairies, the green young cottonwood grove about Jane's house shone fresh and vivid. At the white gate a carriage waited—a strange carriage which Lola scrutinized wonderingly as she approached. With delighted eyes she noted the purple cushions and the satin coats of the horses. Who could have come? Whose voice was that which issued from the house in an unbroken monologue, genial, laughing, breathless?
Suddenly, as she mounted the porch steps, a persuasion of familiarity in those light accents overcame her. Could it be that her father had come at last? That, after all her waiting, she was to see him and talk with him and sob out on his breast her appreciation of his long labors in her behalf, his kindness, unselfishness and goodness?
She forgot that she had sometimes been hurt at his silence and absence. Her childhood swam before her; she recalled the sweetness of her mother's face, and in that memory he who awaited her in Jane's sitting-room gathered a graciousness which exalted him, as if he, too, had been dead and was alive again.
The talk broke off at her impetuous entrance. Upon a chair sat a man with a round and ruddy face, with bright blue eyes and a curling spread of yellow beard. Lola hesitated. She doubted if this richly arrayed, somewhat stout man could be the slim, boyish-looking father she remembered. Then the unalterable joyousness of his glance reassured her, and she rushed forward crying, "Oh, it's you! It's you!"
She had not noticed Jane, who sat opposite, mute and relaxed, like one in whom hope and resolution flag and fail; but Jane's deep eyes followed Lola's swift motion, and her look changed a little at the girl's air of eager joy. As she saw Lola fling herself upon his breast and cling there, she winced, and her heart yearned at the sight of a love which she had somehow failed to win with all her efforts, and which now she should never win, since Lola was about to leave her forever.