carried back with them into the desert enduring memories of what they had seen. On the other hand, it is also known that, at the same period, brethren of various religious orders undertook remote pilgrimages for the purpose of introducing Christianity into Tartary; and these must have penetrated at the same time into Thibet, among the Si-Fan, and among the Mongols on the Blue Sea. Jean de Montcorvin, Archbishop of Peking, had already organized a choir of Mongol monks, who daily practised the recitation of the psalms, and the ceremonies of the Catholic faith. Now, if one reflects that Tsong-Kaba lived precisely at the period when the Christian religion was being introduced into Central Asia, it will be no longer matter of astonishment that we find, in reformed Buddhism, such striking analogies with Christianity.
And may we not proceed to lay down a proposition of a more positive character? This very legend of Tsong-Kaba, which we heard in the very place of his birth, and from the mouth of several Lamas, does it not materially strengthen our theory? Setting aside all the marvellous features which have been added to the story by the imagination of the Lamas, it may be fairly admitted that Tsong-Kaba was a man raised above the ordinary level by his genius, and also, perhaps, by his virtue; that he was instructed by a stranger from the West; that after the death of the master the disciple, proceeding to the West, took up his abode in Thibet, where he diffused the instruction which he himself had received. May it not be reasonably inferred that this stranger with the great nose was an European, one of those Catholic missionaries who at the precise period penetrated in such numbers into Upper Asia. It is by no means surprising that the Lamanesque traditions should have preserved the memory of that European face, whose type is so different from that of the Asiatics. During our abode at Kounboum, we, more than once, heard the Lamas make remarks upon the singularity of our features, and say, roundly, that we were of the same land with the master of Tsong-Kaba. It may be further supposed that a premature death did not permit the Catholic missionary to complete the religious education of his disciple, who himself, when afterwards he became an apostle, merely applied himself, whether from having acquired only an incomplete knowledge of Christian doctrine, or from having apostatized from it, to the introduction of a new Buddhist Liturgy. The feeble opposition which he encountered in his reformation, would seem to indicate that already the progress of Christian ideas in these countries had materially shaken the faith of Buddha. We shall by-and-by inquire whether the numerous analogies between the Buddhists and the Catholics are an obstacle or an aid to the propagation of the faith in Tartary and Thibet.
The reformation of Tsong-Kaba triumphed in all the regions comprised between the Himalaya mountains, the frontiers of Russia, and the Great Wall of China. It even made its way into some provinces of the Celestial Empire, into Kan Sou, for example, Chan-Si, Petche-Li, and all Mantchouria. The bonzes have retained the ancient rites, with the exception only of a few innovations which have been adopted in particular localities. There is now a regular distinction understood between the two classes of Lamas, the yellow and the grey; that is to say, those who follow the reformation and those who persist in the elder worship. These two sects, which no doubt at one time treated each other as rivals, and made war upon each other, now live in perfect harmony. The Bonzes and the Lamas regard themselves as all of the same family.
The tribe of Amdo, previously altogether obscure and of no importance whatever, has, since the reformation of Buddhism, acquired a prodigious celebrity. The mountain at the foot of which Tsong-Kaba was born, became a famous place of pilgrimage. Lamas assembled there from all parts to build their cells, and thus by degrees was formed that flourishing Lamasery, the fame of which extends to the remotest confines of Tartary. It is called Kounboum, from two Thibetian words signifying Ten Thousand Images, and having allusion to the tree which, according to the legend, sprang from Tsong-Kaba’s hair, and bears a Thibetian character on each of its leaves.
It will here be naturally expected that we say something about this tree itself. Does it exist? Have we seen it? Has it any peculiar attributes? What about its marvellous leaves? All these questions our readers are entitled to put to us. We will endeavour to answer as categorically as possible.
Yes, this tree does exist, and we had heard of it too often during our journey not to feel somewhat eager to visit it. At the foot of the mountain on which the Lamasery stands, and not far from the principal Buddhist temple, is a great square enclosure, formed by brick walls. Upon entering this we were able to examine at leisure the marvellous tree, some of the branches of which had already manifested themselves above the wall. Our eyes were first directed with earliest curiosity to the leaves, and we were filled with an absolute consternation of astonishment at finding that, in point of fact, there were upon each of the leaves well-formed Thibetian characters, all of a green colour, some darker, some lighter than the leaf itself. Our first impression was a suspicion of fraud on the part of the Lamas; but, after a minute examination of every detail, we could not discover the least deception. The characters all appeared to us portions of the leaf itself, equally with its veins
and nerves; the position was not the same in all; in one leaf they would be at the top of the leaf; in another, in the middle; in a third, at the base, or at the side; the younger leaves represented the characters only in a partial state of formation. The bark of the tree and its branches, which resemble that of the plane tree, are also covered with these characters. When you remove a piece
The Tree of the Ten Thousand Images seemed to us of great age. Its trunk, which three men could scarcely embrace with outstretched arms, is not more than eight feet high; the branches, instead of shooting up, spread out in the shape of a plume of feathers, and are extremely bushy; few of them are dead. The leaves are always green, and the wood, which is of a reddish tint, has an exquisite odour, something like that of cinnamon. The Lamas informed us that in summer, towards the eighth moon, the tree produces large red flowers of an extremely beautiful character. They informed us also that there nowhere else exists another such tree; that many attempts have been made in various Lamaseries of Tartary and Thibet to propagate it by seeds and cuttings, but that all these attempts have been fruitless.
The Emperor Khang-Hi, when upon a pilgrimage to Kounboum, constructed, at his own private expense, a dome of silver over the Tree of the Ten Thousand Images; moreover, he made a present to the Grand Lama of a fine black horse, capable of travelling a thousand lis a day, and of a saddle adorned with precious stones. The horse is dead, but the saddle is still shown in one of the Buddhist temples, where it is an object of special veneration. Before quitting the Lamasery, Khang-Hi endowed it with a yearly revenue, for the support of 350 Lamas.