Chabanon, friend of d’Alembert, musician, poet, dramatist, had also paid a first visit here in 1766. He came back again on May 1, 1767, and stayed seven months. He has left behind him a good account of that visit. He evidently guessed—what not all Voltaire’s friends did guess—that one day the world would be interested in them only as having known Voltaire, and would be grateful to them for writing as little about themselves, and as much about their host, as possible.

While Chabanon was at Ferney, the leisure Voltaire’s “devouring ardour” for study allowed him was spent, of course, in play-acting. He had just written a new play, “The Scythians,” and loved it as he always loved his latest born. He was not a little disgusted when Ferney would have none of it, and demanded an old favourite, “Adélaïde du Guesclin,” instead.

“I cannot think what they see in that ‘Adélaïde,’” says its author discontentedly to Madame Denis.

Ferney and Chabanon only ratified the judgment of Paris in disliking “The Scythians.” Played there on March 26th of this same 1767, the rude parterre had “no respect for the old age which had written it,” and made such a noise that the first performances were “regular battles.” There were only four in all.

The French officers of the blockading troops came en masse to Ferney in this spring to witness the theatricals. Colonel Chabrillant, the colonel of Conti’s regiment, stayed for a long time as a guest at the château; and if he did, after the visit, forget to write a single word of thanks to his host or Mama Denis, why, that was a sort of ingratitude to which Voltaire should have been accustomed.

Three companies of the same regiment were quartered in the village of Ferney, and some of the grenadiers often came as audience to the performances, and at least once as actors. As a reward for their services Voltaire gave them supper and offered them money.

“We will not take anything,” they said “We have seen M. de Voltaire. That is our payment.”

The celebrity was as delighted as a boy. My “brave grenadiers!” he cried, and invited them all, whenever they wanted a meal or well-paid work, to come to Ferney.

When his guests were tired of acting themselves, they could, and did, now go to Geneva and see other people act. Through the influence of Voltaire upon M. de Beauteville, that French envoy had so far worked upon the prim Councils of Geneva that they had allowed a theatre to be opened in their Puritan town in April, 1766. “Olympie” was played there, and the loveliest comic operas. Voltaire had the whole troupe come to Ferney, where they acted four for his benefit. The Geneva theatre had only a short life. It was burnt in February, 1768. The townspeople hated it so, that when they saw it in flames they made no attempt to save it.

In the light of subsequent events, it seems almost certain that Voltaire received many of his visitors and gave many of his entertainments to keep Madame Denis in a good temper, and reconcile her to the country which she hated; while other festivities he arranged for the benefit of the light-hearted young people he always liked to have about him.