Ivo came around to rehearsals sometimes, but naturally it would be boring for him, since he wasn't in the profession, and, after a while, he didn't come around very often. At first, Paul felt a twinge of guilt; then he remembered that he need not worry. Ivo had his own work.
The whole Holiday Tree troupe went out of town for the tryouts, and Paul didn't see Ivo at all for six weeks. Busy, happy weeks they were, for the play was a smash hit from the start. It played to packed houses in New Haven and Boston, and the box office in New York was sold out for months in advance before they even opened.
"Must be kinda fun—acting," Ivo told Paul the morning after the New York opening, as Paul weltered contentedly on his bed—he had the best room in the house now—amid a pile of rave notices. At long last, he had arrived. Everybody loved him. He was a success.
And now that he had read the reviews and they were all favorable, he could pay attention to the strange things that had happened to his friend. Raising himself up on an elbow, Paul cried, "Ivo, you're mumbling! After all I taught you about articulation!"
"I got t'hanging 'round with this here buncha actors while y'were gone," Ivo said. "They say mumbling's the comin' thing. 'Sides, y'kept yapping that I declaimed, so—"
"But you don't have to go to the opposite extreme and—Ivo!" Incredulously, Paul took in the full details of the other's appearance. "What happened to your Brooks Brothers' suits?"
"Hung 'em inna closet," Ivo replied, looking abashed. "I did wear one las' night, though," he went on defensively. "Wooden come dressed like this to y'opening. But all the other fellas wear blue jeans 'n leather jackets. I mean, hell, I gotta conform more'n anybody. Y'know that, Paul."
"And—" Paul sat bolt upright; this was the supreme outrage—"you've changed yourself! You've gotten younger!"
"This is an age of yout'," Ivo mumbled. "An' I figured I was 'bout ready for improvisation, like you said."