"His name is Jonathan Wylde. Once he, too, was a famous actor; but long illness crippled his limbs, and he has fallen into poverty. He is always called the Old Lion, and methinks the name suits him well. He is a very lion for courage, else would he not dare to rebuke Master Lionel Field. For he is one who is ready with his fist, or with knife or bludgeon, and it is ill work meeting him when he is in his cups."
Grey looked with interest and attention at the old man in the shadows; but he was leaning back again, and spoke no more. The talk surged round him again from the rest; they spoke of the plays that were being enacted at the various theatres, and of those who were playing the various rôles. Some of them stood up and rolled forth bits of Congreve's witty and sparkling dramas, and disputed as to whether the "Old Bachelor" or the "Way of the World" were his happiest effort; whilst some declared that the "Double Dealer" was the best of all. They talked excitedly of the revival at Drury Lane of Farquhar's "Love and a Bottle," which had scored such a success some fourteen or fifteen years previously. And there were some who lauded and some who depreciated Colley Cibber and his "Careless Husband" and "Love's Last Shift," which were favourites throughout the town.
It was a new world to Grey; but he listened with a certain fascination, for the drama had always attracted him, and he watched the gestures of the actors and listened to their mouthing periods with something between wonder and amusement. He could understand that these men had been failures. Only Lionel Field appeared to have any true histrionic gift, and the cause of his downfall was plain to be read after the speech of the "Old Lion." From time to time, as the light flickered upon the striking face in the ingle, Grey caught a fine-lipped smile upon it, and once or twice he thought the old actor's eyes met his in a gleam of humour. But of that he could not be sure—it might be but the trick of the firelight; and presently wearied nature asserted itself, and the young man passed from drowsiness to actual sleep, and knew nothing more till a sharp grip upon his arm roused him to a sense of his surroundings.
It was the tapster who thus shook him; and when he opened his eyes, Grey saw—or thought, at least—that the room was empty. What the time was he had no idea; but it must be late, and he rose hastily to his feet with a muttered apology at having overstayed the closing time.
At that moment there emerged out of the shadows of the ingle-nook a bent figure, dignified even in its infirmity, and the voice which Grey had heard before spoke in quietly authoritative accents.
"Bring hither coffee and a dish of eggs for two. The wind and rain yet howl around the house. This gentleman will sup with me ere we go home. Go and serve us quickly, for we have both a good stomach, and would eat ere we depart hence."
The tapster vanished quickly to do the bidding of the guests, and Grey turned a wondering glance upon the Old Lion, whose face, framed in its shaggy gray hair, looked more leonine than ever, the bright eyes shining out of deep caverns from under bushy brows, the rugged features full of power, not unmixed with a curious underlying ferocity. But the glance bent upon Grey was kindly enough.
"Sit down, young man; I would know more of you. I have a gift for reading faces. I have marked yours ever since you entered this room. Tell me your name. Tell me of yourself, for you were not born to the state to which you have now fallen."
"My name is Grey," was the ready answer. Grey had dropped his title and patronymic with his fallen fortunes, and used his mother's name alone. "My father was a country gentleman. I was gently reared, and was at one time a scholar at Oxford, where I dreamed many dreams. Afterwards I travelled abroad, returning to find my father dead and my home in the hands of a kinsman to whom it was mortgaged by my father. The small fortune I received I squandered foolishly in a few weeks of gay living with young bloods of the town. I wakened from my dream to find myself well-nigh penniless, disgusted alike with myself and those I had called my friends. I have ever been something ambitious. I misdoubt me I am a fool; but I did think that I might win laurels upon the field of literature. I have never lost the trick of rhyming, and jotting down such things as pleased my fancy, whether in prose or in verse. Do I weary you with my tale?"
"No, sir—far from it. Let me hear you to the end. I did see you take forth a roll of paper from your breast as you came in. That action, together with your face, told me much. You have the gift of a creative fancy. You have written a poem or a play."