Finding his way to Arthur’s room towards dusk one day, as he often did, he was surprised to find quite a little group around the glowing fire. Monica and the dogs were objects sufficiently familiar to him by this time, but who was that graceful, fair-haired youth who sat beside the girl, his face turned towards her and away from Randolph, whilst he made some gay, laughing rejoinder to her in a very sweet, musical voice?
Randolph recognised that laugh and that voice with another start of dismay. His face set itself in very stern lines, and he would have withdrawn in silence had he been able to do so unobserved; but Arthur saw him as he moved to go, and cried gladly:
“Oh, here is Randolph—that is right. Our old friend and our new one must be introduced. Sir Conrad Fitzgerald—Mr. Randolph Trevlyn.”
Randolph’s eyes were fixed full upon the face of the younger man as he made the slightest possible inclination of the head. His hand had unconsciously clenched itself in a gesture that was a little significant. Monica’s eyes were fixed upon Conrad. Was it possible that he quailed and flinched a little beneath the steady gaze bent upon him? She did not think so, she was sure it could not be; no, he was only drawing himself up to return that cold salutation with one expressive of sovereign contempt.
Not a word was exchanged between the two men. Randolph sat down beside Arthur, and began to talk to him. Conrad drew nearer to Monica, and entered into a low-toned conversation with her. His voice sounded tender and caressing, and ever and anon such words as these reached young Trevlyn’s ears:
“Do you remember, Monica?”—“Ah, those sweet days of childhood!”—“You have not forgotten?”—“How often have I thought of it all.”
Evidently they were discussing the happy past—the bright days that had been shared by them before the cloud had fallen upon Monica’s life. Randolph could not keep his eyes away from her face. It was lit up with a new expression, half sad, and yet strangely—infinitely sweet. Conrad’s face was very beautiful too, with its delicate, almost effeminate colouring and serious, melancholy blue eyes. He had been a lovely child, and his beauty had not faded with time. It had stood him in good stead in many crises of his life, and was doing so still. There is an irrational association in most minds between beauty and goodness.
But Randolph’s face grew more and more dark as he watched the pair opposite. Old memories were stirring within him, and at last he rose and quitted the room, feeling that he could no longer stand the presence of that man within it, could no longer endure to see him bending over Monica, and talking to her in that soft, caressing way.
Conrad looked after him, a vindictive light in his soft blue eyes. As the door closed he uttered a low laugh.
“What is it?” asked Arthur.