“Humph! Didn’t know you was a girl!”
Adrian did not answer. He was rapidly and skilfully sketching the prostrate animal, and studying it minutely. From his memory of it alive and the drawing he hoped to paint a tolerably lifelike portrait of the animal; and a fresh inspiration came to him. To those projected woodland pictures he would add glimpses of its wild denizens, and in such a way that the hearts of the beholders should be moved to pity, not to slaughter.
But, already that sharpened knife of Pierre’s was at work, defacing, mutilating.
“Why do that, man?”
“Why not? What ails you? What’d we hunt for?”
“We don’t need him for food. You cannot possibly carry those horns any distance on our trip, and you’re not apt to come back just this same way. Let him lie. You’ve done him all the harm you should. Come on. Is this like him?” And Adrian showed his drawing.
“Oh! it’s like enough. If you don’t relish my job—clear out. I can skin him alone.”
Adrian waited no second bidding, but strolled away to a distance and tried to think of other things than the butchering in progress. But at last Pierre whistled and he had to go back or else be left in the wilderness to fare alone as best he might. It was a ghastly sight. The great skin, splashed and wet with its owner’s blood, the dismembered antlers, the slashed off nose—which such as Pierre considered a precious tid-bit, the naked carcass and the butcher’s own uninviting state.
“I declare, I can never get into the same boat with you and all that horror. Do leave it here. Do wash yourself—there’s plenty of water, and let’s be gone.”