"It is not Parliamentary reform, it is not any revolution, or series of revolutions, that will bring Socialism. It is we ourselves who must give it birth after much pain and sorrow, even as a mother—" here the exclusive nature of the audience struck him, and he paused abruptly, until he remembered that he was a prophet, and might use any questionable metaphor he pleased without impropriety—"even as a mother brings forth the child who is to become her joy and her comfort. It is the spirit of altruism that has to be diffused among us, and when we have once realized that the 'will to live' as Schopenhauer puts it, is the one to be controlled, and that the finest of all things is to die,—that is, of course, to live,—to live for the good of the Commonwealth, then shall we be prepared for the enjoyment of perfect art, and then shall the musician,—that is, of course, the art of the musician,—be allowed to exist without such sordid considerations as bread and butter and a roof. I use art in its highest, its only real sense, as meaning music only; such imitative branches as literature and painting will not then be practised. I—I beg your pardon?"
"Please don't stop," urged the gray-eyed girl, who had painted certain hot sunsets and purple mists during her travels on the Continent, and had shown in her face what she thought of the musician's last words, "I would not interrupt for the world. I don't know anything about Socialism, or any of the other things you mention except painting, which is evidently doomed. So pray go on, I find it most entertaining."
And a laugh, in which derision was plainly discernible, rang out to bear testimony to her words. She evidently did not realize the serious nature of the assemblage in which she found herself, and Mrs. Reginald acquired a distinct antipathy for her when she leaned back in her chair carelessly, and proceeded to argue with Digby as though he were any ordinary young man, with no ideas, and no studio, and no deep and hidden tragedy in his life which could be alluded to darkly whenever the topic of conversation required it. And no one in the room could forgive her when the musician threw himself on the chair at her side, and condescended to parry her objections as though he thoroughly enjoyed the attack she was daring to make upon his favorite principles.
"Do you not see that the language of painting is limited?" he cried. "It has told us all it had to tell; it is not adapted to modern needs and modern craving, though the impressionists have made a fine attempt, a noble attempt, to make it express more than it can. Do you not see that while music is purely spiritual, purely intellectual, painting is a mere imitation of the common objects of nature?"
"Man and woman being among the common objects?" murmured the girl. But he did not heed her tiresomely obvious remark, and plunged onwards.
"Is not art finer, ten times finer than nature? You cannot see below the surface, you painters who copy nature, poor ignorant nature, who is only on the threshold of knowledge herself. You say you can paint a tree; but when it is done, what is it? A tree!"
"No, it is not only the tree," objected the other, "it is the picture in the artist's mind that the tree makes. When you and I look at a tree we see two different things,—apparently; and as I live in the country most of the year, I am thankful I am not a musician. Voilà tout!"
"But even then? You can put into your picture none of the workings of the human mind, none of the aspirations of the human soul. When you have a great happiness or a great sorrow, does it help you to paint your pictures? No, no, your painting is apart from your existence, your mind has no place there. In the future we shall have but one art, and that art will be music!"
"Oh, Mr. Raleigh!" laughed the girl, "you are making a world for one kind of people. What will happen to the poor luckless ones like myself who are not musical? I suppose there will have to be some in your world?"
"Je n'en vois pas la nécessité," said the musician, relaxing into a laugh too; but Mrs. Routh, who had never read Voltaire, thought it was quite time to interfere when she could not even understand what they were saying, and she dropped her parasol. Digby stooped to pick it up, and she asked him promptly to play something.