Yet in spite of all this, you are now released from that crowd's tyrannically overwhelming consciousness as you never were before. You feel yourself now a separate vivid entity, a real, whole man: dependent on the Whole, and gladly so dependent, yet within that Whole a free self-governing thing. Perhaps you always fancied that your will was free--that you were actually, as you sometimes said, the "captain of your soul." If so, this was merely one amongst the many illusions which supported your old, enslaved career. As a matter of fact, you were driven along a road, unaware of anything that lay beyond the hedges, pressed on every side by other members of the flock; getting perhaps a certain satisfaction out of the deep warm stir of the collective life, but ignorant of your destination, and with your personal initiative limited to the snatching of grass as you went along, the pushing of your way to the softer side of the track. These operations made up together that which you called Success. But now, because you have achieved a certain power of gathering yourself together, perceiving yourself as a person, a spirit, and observing your relation with these other individual lives--because too, hearing now and again the mysterious piping of the Shepherd, you realise your own perpetual forward movement and that of the flock, in its relation to that living guide--you have a far deeper, truer knowledge than ever before both of the general and the individual existence; and so are able to handle life with a surer hand.
Do not suppose from this that your new career is to be perpetually supported by agreeable spiritual contacts, or occupy itself in the mild contemplation of the great world through which you move. True, it is said of the Shepherd that he carries the lambs in his bosom: but the sheep are expected to walk, and put up with the inequalities of the road, the bunts and blunders of the flock. It is to vigour rather than to comfort that you are called. Since the transcendental aspect of your being has been brought into focus you are now raised out of the mere push-forward, the blind passage through time of the flock, into a position of creative responsibility. You are aware of personal correspondences with the Shepherd. You correspond, too, with a larger, deeper, broader world. The sky and the hedges, the wide lands through which you are moving, the corporate character and meaning of the group to which you belong--all these are now within the circle of your consciousness; and each little event, each separate demand or invitation which comes to you is now seen in a truer proportion, because you bring to it your awareness of the Whole. Your journey ceases to be an automatic progress, and takes on some of the characters of a free act: for "things" are now under you, you are no longer under them.
You will hardly deny that this is a practical gain: that this widening and deepening of the range over which your powers of perception work makes you more of a man than you were before, and thus adds to rather than subtracts from your total practical efficiency. It is indeed only when he reaches these levels, and feels within himself this creative freedom--this full actualisation of himself--on the one hand: on the other hand the sense of a world-order, a love and energy on which he depends and with whose interests he is now at one, that man becomes fully human, capable of living the real life of Eternity in the midst of the world of time.
And what, when you have come to it, do you suppose to be your own function in this vast twofold scheme? Is it for nothing, do you think, that you are thus a meeting-place of two orders? Surely it is your business, so far as you may, to express in action something of the real character of that universe within which you now know yourself to live? Artists, aware of a more vivid and more beautiful world than other men, are always driven by their love and enthusiasm to try and express, bring into direct manifestation, those deeper significances of form, sound, rhythm, which they have been able to apprehend: and, doing this, they taste deeper and deeper truths, make ever closer unions with the Real. For them, the duty of creation is tightly bound up with the gift of love. In their passionate outflowing to the universe which offers itself under one of its many aspects to their adoration, that other-worldly fruition of beauty is always followed, balanced, completed, by a this-world impulse to creation: a desire to fix within the time-order, and share with other men, the vision by which they were possessed. Each one, thus bringing new aspects of beauty, new ways of seeing and hearing within the reach of the race, does something to amend the sorry universe of common sense, the more hideous universe of greed, and redeem his fellows from their old, slack servitude to a lower range of significances. It is in action, then, that these find their truest and safest point of insertion into the living, active world of Reality: in sharing and furthering its work of manifestation they know its secrets best. For them contemplation and action are not opposites, but two interdependent forms of a life that is one--a life that rushes out to a passionate communion with the true and beautiful, only that it may draw from this direct experience of Reality a new intensity wherewith to handle the world of things; and remake it, or at least some little bit of it, "nearer to the heart's desire."
Again, the great mystics tell us that the "vision of God in His own light"--the direct contact of the soul's substance with the Absolute--to which awful experience you drew as near as the quality of your spirit would permit in the third degree of contemplation, is the prelude, not to a further revelation of the eternal order given to you, but to an utter change, a vivid life springing up within you, which they sometimes call the "transforming union" or the "birth of the Son in the soul." By this they mean that the spark of spiritual stuff, that high special power or character of human nature, by which you first desired, then tended to, then achieved contact with Reality, is as it were fertilised by this profound communion with its origin; becomes strong and vigorous, invades and transmutes the whole personality, and makes of it, not a "dreamy mystic" but an active and impassioned servant of the Eternal Wisdom.
So that when these full-grown, fully vital mystics try to tell us about the life they have achieved, it is always an intensely active life that they describe. They say, not that they "dwell in restful fruition," though the deep and joyous knowledge of this, perhaps too the perpetual longing for an utter self-loss in it, is always possessed by them--but that they "go up and down the ladder of contemplation." They stretch up towards the Point, the unique Reality to which all the intricate and many-coloured lines of life flow, and in which they are merged; and rush out towards those various lives in a passion of active love and service. This double activity, this swinging between rest and work--this alone, they say, is truly the life of man; because this alone represents on human levels something of that inexhaustibly rich yet simple life, "ever active yet ever at rest," which they find in God. When he gets to this, then man has indeed actualised his union with Reality; because then he is a part of the perpetual creative act, the eternal generation of the Divine thought and love. Therefore contemplation, even at its highest, dearest, and most intimate, is not to be for you an end in itself. It shall only be truly yours when it impels you to action: when the double movement of Transcendent Love, drawing inwards to unity and fruition, and rushing out again to creative acts, is realised in you. You are to be a living, ardent tool with which the Supreme Artist works: one of the instruments of His self-manifestation, the perpetual process by which His Reality is brought into concrete expression.
Now the expression of vision, of reality, of beauty, at an artist's hands--the creation of new life in all forms--has two factors: the living moulding creative spirit, and the material in which it works. Between these two there is inevitably a difference of tension. The material is at best inert, and merely patient of the informing idea; at worst, directly recalcitrant to it. Hence, according to the balance of these two factors, the amount of resistance offered by stuff to tool, a greater or less energy must be expended, greater or less perfection of result will be achieved. You, accepting the wide deep universe of the mystic, and the responsibilities that go with it, have by this act taken sides once for all with creative spirit: with the higher tension, the unrelaxed effort, the passion for a better, intenser, and more significant life. The adoration to which you are vowed is not an affair of red hassocks and authorised hymn books; but a burning and consuming fire. You will find, then, that the world, going its own gait, busily occupied with its own system of correspondences--yielding to every gust of passion, intent on the satisfaction of greed, the struggle for comfort or for power--will oppose your new eagerness; perhaps with violence, but more probably with the exasperating calmness of a heavy animal which refuses to get up. If your new life is worth anything, it will flame to sharper power when it strikes against this dogged inertness of things: for you need resistances on which to act. "The road to a Yea lies through a Nay," and righteous warfare is the only way to a living and a lasting peace.
Further, you will observe more and more clearly, that the stuff of your external world, the method and machinery of the common life, is not merely passively but actively inconsistent with your sharp interior vision of truth. The heavy animal is diseased as well as indolent. All man's perverse ways of seeing his universe, all the perverse and hideous acts which have sprung from them--these have set up reactions, have produced deep disorders in the world of things. Man is free, and holds the keys of hell as well as the keys of heaven. Within the love-driven universe which you have learned to see as a whole, you will therefore find egotism, rebellion, meanness, brutality, squalor: the work of separated selves whose energies are set athwart the stream. But every aspect of life, however falsely imagined, can still be "saved," turned to the purposes of Reality: for "all-thing hath the being by the love of God." Its oppositions are no part of its realness; and therefore they can be overcome. Is there not here, then, abundance of practical work for you to do; work which is the direct outcome of your mystical experience? Are there not here, as the French proverb has it, plenty of cats for you to comb? And isn't it just here, in the new foothold it gives you, the new clear vision and certitude--in its noble, serious, and invulnerable faith--that mysticism is "useful"; even for the most scientific of social reformers, the most belligerent of politicians, the least sentimental of philanthropists?
To "bring Eternity into Time," the "invisible into concrete expression"; to "be to the Eternal Goodness what his own hand is to a man"--these are the plainly expressed desires of all the great mystics. One and all, they demand earnest and deliberate action, the insertion of the purified and ardent will into the world of things. The mystics are artists; and the stuff in which they work is most often human life. They want to heal the disharmony between the actual and the real: and since, in the white-hot radiance of that faith, hope, and charity which burns in them, they discern such a reconciliation to be possible, they are able to work for it with a singleness of purpose and an invincible optimism denied to other men. This was the instinct which drove St. Francis of Assist to the practical experience of that poverty which he recognised as the highest wisdom; St. Catherine of Siena from contemplation to politics; Joan of Arc to the salvation of France; St. Teresa to the formation of an ideal religious family; Fox to the proclaiming of a world-religion in which all men should be guided by the Inner Light; Florence Nightingale to battle with officials, vermin, dirt, and disease in the soldiers' hospitals; Octavia Hill to make in London slums something a little nearer "the shadows of the angels' houses" than that which the practical landlord usually provides.
All these have felt sure that a great part in the drama of creation has been given to the free spirit of man: that bit by bit, through and by him, the scattered worlds of love and thought and action shall be realised again as one. It is for those who have found the thread on which those worlds are strung, to bring this knowledge out of the hiddenness; to use it, as the old alchemists declared that they could use their tincture, to transmute all baser; metals into gold.