In saying all this I do not seek to discredit religious ceremony; either of the naïve or of the sophisticated type. On the contrary, I think that in effecting this change in our mental tone and colour, in prompting this emergence of a mood which, in the mass of men, is commonly suppressed, these ceremonies do their true work. They should stimulate and give social expression to that mood of adoration which is the very heart of religion; helping those who cannot be devotional alone to participate in the common devotional feeling. If, then, we desire to receive the gifts which corporate worship can most certainly make to us, we ought to yield ourselves without resistance or criticism to its influence; as we yield ourselves to the influence of a great work of art. That influence is able to tune us up, at least to a fleeting awareness of spiritual reality; and each such emergence of transcendental feeling is to the good. It is true that the objects which immediately evoke this feeling will only be symbolic; but after all, our very best conceptions of God are bound to be that. We do not, or should not, demand scientific truth of them. Their business is rather to give us poetry, a concrete artistic intuition of reality, and to place us in the mood of poetry. The great thing is, that by these corporate liturgic practices and surrenders, we can prevent that terrible freezing up of the deep wells of our being which so easily comes to those who must lead an exacting material or intellectual life. We keep ourselves supple; the spiritual faculties are within reach, and susceptible to education.

Organized ceremonial religion insists upon it, that at least for a certain time each day or week we shall attend to the things of the Spirit. It offers us its suggestions, and shuts off as well as it can conflicting suggestions: though, human as we are, the mere appearance of our neighbours is often enough to bring these in. Nothing is more certain than this: first that we shall never know the spiritual world unless we give ourselves the chance of attending to it, clear a space for it in our busy lives; and next, that it will not produce its real effect in us, unless it penetrates below the conscious surface into the deeps of the instinctive mind, and moulds this in accordance with the regnant idea. If we are to receive the gifts of the cultus, we on our part must bring to it at the very least what we bring to all great works of art that speak to us: that is to say, attention, surrender, sympathetic emotion. Otherwise, like all other works of art, it will remain external to us. Much of the perfectly sincere denunciation and dislike of religious ceremony which now finds frequent utterance comes from those who have failed thus to do their share. They are like the hasty critics who dismiss some great work of art because it is not representative, or historically accurate; and so entirely miss the æsthetic values which it was created to impart.

Consider a picture of the Madonna. Minds at different levels may find in this pure representation, Bible history, theology, æsthetic satisfaction, spiritual truth. The peasant may see in it the portrait of the Mother of God, the critic a phase in artistic evolution; whilst the mystic may pass through it to new contacts with the Spirit of life. We shall receive according to the measure of what we bring. Now consider the parallel case of some great dramatic liturgy, rich with the meanings which history has poured into it. Take, as an example which every one can examine for themselves, the Roman Mass. Different levels of mind will find here magic, theology, deep mystery, the commemoration under archaic symbols of an event. But above and beyond all these, they can find the solemn incorporated emotion, of the Christian Church, and a liturgic recapitulation of the movement of the human soul towards fullness of life: through confession and reconciliation to adoration and intercession—that is, to charity—and thence to direct communion with and feeding on the Divine World.

To the mind which refuses to yield to it, to move with its movement, but remains in critical isolation, the Mass like all other ceremonies will seem external, dead, unreal; lacking in religious content. But if we do give ourselves completely and unselfconsciously to the movement of such a ceremony, at the end of it we may not have learnt anything, but we have lived something. And when we remember that no experience of our devotional life is lost, surely we may regard it as worth while to submit ourselves to an experience by which, if only for a few minutes, we are thus lifted to richer levels of life and brought into touch with higher values? We have indeed only to observe the enrichment of life so often produced in those who thus dwell meekly and without inner conflict in the symbolic world of ceremonial religion, and accept its discipline and its gifts, to be led at least to a humble suspension of judgment as to its value. A whole world of spiritual experience separates the humble little church mouse rising at six every morning to attend a service which she believes to be pleasing to a personal God, from the philosopher who meditates on the Absolute in a comfortable armchair; and no one will feel much doubt as to which side the advantage lies.

Here we approach the next point. The cultus, with its liturgy and its discipline, exists for and promotes the repetition of acts which are primarily the expression of man's instinct for God; and by these—or any other repeated acts—our ductile instinctive life is given a definite trend. We know from Semon's researches[126] that the performance of any given act by a living creature influences all future performances of similar acts. That is to say, memory combines with each fresh stimulus to control our reaction to it. "In the case of living organisms," says Bertrand Russell, "practically everything that is distinctive both of their physical and mental behaviour is bound up with this persistent influence of the past": and most actions and responses "can only be brought under causal laws by including past occurrences in the history of the organism as part of the causes of the present response."[127] The phenomena of apperception, in fact, form only one aspect of a general law. As that which we have perceived conditions what we can now perceive, so that which we have done conditions what we shall do. It therefore appears that in spite of angry youthful revolts or mature sophistications, early religious training, and especially repeated religious acts, are likely to influence the whole of our future lives. Though all they meant to us seems dead or unreal, they have retreated to the dark background of consciousness and there live on. The tendency which they have given persists; we never get away from them. A church may often seem to lose her children, as human parents do; but in spite of themselves they retain her invisible seal, and are her children still. In nearly all conversions in middle life, or dramatic returns from scepticism to traditional belief, a large, part is undoubtedly played by forgotten childish memories and early religious discipline, surging up and contributing their part to the self's new apprehensions of Reality.

If, then, the cultus did nothing else, it would do these two highly important things. It would influence our whole present attitude by its suggestions, and our whole future attitude through unconscious memory of the acts which it demands. But it does more than this. It has as perhaps its greatest function the providing of a concrete artistic expression for our spiritual perceptions, adorations and desires. It links the visible with the invisible, by translating transcendent fact into symbolic and even sensuous terms. And for this reason men, having bodies no less surely than spirits, can never afford wholly to dispense with it. Hasty transcendentalists often forget this; and set us spiritual standards to which the race, so long as it is anchored to this planet and to the physical order, cannot conform.

A convert from agnosticism with whom I was acquainted, was once receiving religious instruction from a devout and simple-minded nun. They were discussing the story of the Annunciation, which presented some difficulties to her. At last she said to the nun, "Well, anyhow, I suppose that one is not obliged to believe that the Blessed Virgin was visited by a solid angel, dressed in a white robe?" To this the nun replied doubtfully, "No, dear, perhaps not. But still, you know, he would have to wear something."

Now here, as it seems to me, we have a great theological truth in a few words. The elusive contacts and subtle realities of the world of spirit have got to wear something, if we are to grasp them at all. Moreover, if the mass of men are to grasp them ever so little, they must wear something which is easily recognized by the human eye and human heart; more, by the primitive, half-conscious folk-soul existing in each one of us, stirring in the depths and reaching out in its own way towards God. It is a delicate matter to discuss religious symbols. They are like our intimate friends: though at the bottom of our hearts we may know that they are only human, we hate other people to tell us so. And, even as the love of human beings in its most perfect state passes beyond its immediate object, is transfigured, and merged in the nature of all love; so too, the devotion which a purely symbolic figure calls forth from the ardently religious nature—whether this figure be the divine Krishna of Hinduism, the Buddhist's Mother of Mercy, the Sūfi's Beloved, or those objects of traditional Christian piety which are familiar to all of us—this devotion too passes beyond its immediate goal and the relative truth there embodied, and is eternalized. It is characteristic of the primitive mind that it finds a difficulty about universals, and is most at home with particulars. The success of Christianity as a world-religion largely abides in the way in which it meets this need. It is notorious that the person of Jesus, rather than the Absolute God, is the object of average Protestant devotion. So too the Catholic peasant may find it easier to approach God through and in his special saint, or even a special local form of the Madonna. This is the inevitable corollary of the psychic level at which he lives; and to speak contemptuously of his "superstition" is wholly beside the point. Other great faiths have been compelled by experience to meet need of a particular object on which the primitive religious consciousness can fasten itself: conspicuous examples being the development within Buddhism of the cult of the Great Mother, and within pore Brahminism of Krishna worship. Wherever it may be destined to end, here it is that the life of the Spirit begins; emerging very gently from our simplest human impulses and needs. Yet, since the Universal, the Idea, is manifested in each such particular, we need not refuse to allow that the mass of men do thus enjoy—in a way that their psychic level makes natural to them—their own measure of communion with the Creative Spirit of God; and already live according to their measure a spiritual life.

These objects of religious cultus, then, and the whole symbolic faith-world which is built up of them, with its angels and demons, its sharply defined heaven and hell, the Divine personifications which embody certain attributes of God for us, the purity and gentleness of the Mother, the simplicity and infinite possibility of the Child, the divine self-giving of the Cross;—more, the Lamb, the Blood and the Fire of the revivalists, the oil and water, bread and wine, of a finished Sacramentalism—all these may be regarded as the vestures placed by man, at one stage or another of his progress, on the freely-given but ineffable spiritual fact. Like other clothes, they have now become closely identified with that which wears them. And we strip them off at our own peril: for this proceeding, grateful as it may be to our intellects, may leave us face to face with a mystery which we dare not look at, and cannot grasp.

So, cultus has done a mighty thing for humanity, in evolving and conserving the system of symbols through which the Infinite and Eternal can be in some measure expressed. The history of these symbols goes back, as we now know, to the infancy of the race, and forward to the last productions of the religious imagination; all of which bear the image of our past They are like coins, varying in beauty, and often of slight intrinsic value; but of enormous importance for our spiritual currency, because accepted as the representatives of a real wealth. In its symbols, the cultus preserves all the past levels of religious response achieved by the race; weaving them into the fabric of religion, and carrying them forward into the present. All the instinctive movements of the primitive mind; its fear of the invisible, its self-subjection, its trust in ritual acts, amulets, spells, sacrifices, its tendency to localize Deity in certain places or shrines, to buy off the unknown, to set up magicians and mediators, are represented in it. Its function is racial more than individual. It is the art-work of the folk-soul in the religious sphere. Here man's inveterate creative faculty seizes on the raw material given him by religious-intuition, and constructs from it significant shapes. We misunderstand, then, the whole character of religious symbolism if we either demand rationality from it, or try to adapt its imagery to the lucid and probably mistaken conclusions of the sophisticated, modern mind.