10. (a) Further consideration of the state of character C. before contact with B., etc.
(b) The effect of further characters on the mind, and thence on the action of A.
(c) Considerations of the effect of a fourth main character; of introducing a subsidiary character, and its effect, i.e., that of having an extra character for a particular function.
11. The great "coup" foreshadowed.
(In this case the mild Othello, more and more drifting consciously into the grip of the mild Iago—I use the terms "Othello" and "Iago" merely to avoid, if not "hero," at least "villain"; the sensitive temperament allowing the rapacious temperament to become effective.)
(a) The main character in perplexity as to how far he shall combat the drift of things.
(b) The opposed character's perception of this.
(These sub-sections are, of course, sub-sections for a psychological novel; one would have different but equivalent "joints" in a novel of action.)
(c) Effect of all this on third character. (In this case female, attracted to "man-of-action" quality).
(d) A.'s general perception of these things and his weighing of values, a phase solely for the psychological novel.