He again found himself almost alone, strolling along Unter den Linden, visiting cafés, reading, thinking suffering from headaches, and when in the throes of pain writing love songs. He wrote love songs because he craved love and had it not. When he had no one to love he was dreaming of love.
MIRIAM.
I.
At the end of that semester he was seized with a passion for work and decided to stay in Berlin the following summer vacation and devote all his time to the execution of his literary plans. His head was full of literary schemes. He again applied himself to another revision of his poetic drama; dashed off a tragedy; penned more Lieder; and also sketched a weird romance with Venice as a background. He had just read Hoffmann’s “Die Elixiere des Teufels”, and was so influenced by its mystic charm that he was revolving in his brain the plot of a tale with witches and spirits. He meant to take the world by storm and attack it from many angles.
But the fates always interfered with him, not only in his plans, the affairs of the heart but also in his literary pursuits. One day an admirer sought his acquaintance and became a worshipping friend. And he was a friend worth having. He was the sort of person Albert needed. He was a nobleman from Posen, a count with a genuine love for poetry; sympathetic, generous, young, handsome and entertained liberal religious views, though a Catholic by birth. Besides, he was an accomplished musician and had composed music for a few of Albert’s songs. Eager for recognition, chafing from the public’s neglect, the count’s praise was an infusion of new courage. And the more the count praised his verses, the higher he rose in the author’s estimation. The count had become the “worthiest of mortals”, “a flower of purity”, the “embodiment of all that was good and noble”.
Albert talked of the count to his friends, to his acquaintances, to strangers, and could not even resist the temptation of utilizing the count’s given name in his verses. Impetuous, influenced to love and hate at first sight, the count had won him completely. And what was even more precious in this nobleman, he possessed originality and wit—rare faculties among Albert’s ponderous Berlin friends. So when the count invited him to his estate near Gnesen, Albert forgot his resolutions for an industrious summer and accompanied him to Posen.
He found his surroundings there a veritable poet’s dream. A palatial villa surrounded by extensive woods, luxuriant gardens, hundreds of acres of fertile fields, with a great forest back of the estate, a water mill, and all that the heart could crave. Nor were coquettish maidens wanting.
One day he met with a real adventure. He was alone, wandering through the narrow filthy streets of Gnesen, the town close by. The little town presented a strange sight to him. It looked medieval. Unpaved, without sidewalks, pulverized mud in the streets, the houses of heavy logs, unpainted, and straw-thatched and black with age, with grotesque looking people in the doorways or seated on earthen stoops extending across the whole front of the house. The peasants wore the national costume of unbleached linen coats without sleeves, with a colored girdle fastened around the waist, and trousers tucked in top-boots.
It was near sunset, the sun was sinking in a mist of gold and indigo and lustrous copper, the cows were returning from pasture through the main street to the resounding pistol-like echoes of the shepherd’s long whip and to his exasperating shouts of “Whoa!”
Albert strolled along aimlessly, listening to the unintelligible jabber of the people around him, only now and then catching a word of their jargon.