Pope Pius the Tenth

by F. A. Forbes

[*] A motu proprio is a document drawn up by the pope on his own initiative.

The motu proprio, however, did not exclude the use of modern music, provided that it was suitable to be associated with the liturgy; but theatrical music was not to be tolerated. Rules were laid down to guarantee the dignity and solemnity of church offices; paid singers, especially women, were not to be employed in the choir; bands and orchestral accompaniments were forbidden. Bishops were to institute special commissions of persons skilled in sacred music, to see that the rules were carried out. Schools of sacred song were to be established in those seminaries where they did not already exist, and in town and country parishes. From his personal experiences at Tombolo, Salzano, Treviso and Mantua, Pius X knew that this was perfectly practicable.

In the letter to Cardinal Respighi, cardinal-vicar of Rome, written a few weeks later, the pope laments once more that the beautiful musical tradition of the classical Roman school had almost totally disappeared. "For the devout psalmody of the clergy," he writes, alluding to the singing of Vespers, in which the people also used to join, "there have been substituted interminable musical compositions on the words of the Psalms, all of them modelled on theatrical works, and most of them of such poor quality that they would not be tolerated for a moment even in second-rate concerts. Gregorian chant," he continues, "as it was handed down by the Fathers and is found in the codices of the various churches, is noble, quiet, easy to learn, and of a beauty so fresh and full of surprises that wherever it has been introduced it has never failed to excite real enthusiasm in the youthful singers."

The motu proprio was received with joy by many, and with consternation by those who believed that operatic music was an attraction to the multitude. "We are going to have good music in church," observed Pius X to Don Perosi. "The pope has not been slow in carrying his words into effect," said a writer in the Ecclesiastical Review. "May he live long, this lover of the sanctuary and of the beauty of holiness; and may his kindly face soften those hard hearts that can still bring themselves to sing bravura, not to say buffo, boldly before the Blessed Sacrament, with fearsome shriekings, tremblings and trills."

Some hearts were not softened. Pius had spoken the truth when he said, "The pleasure of a depraved taste rises in hostility to sacred music; for it cannot be denied that profane music, so easy of comprehension and so specially full of rhythm, finds favour in proportion to the want of a true and good musical education among those who listen to it."

That reform was necessary in England may be shown by the impression made on a serious outsider by the music in use in some of our Catholic churches. "You have Miss A. singing duets with Miss B. to the words, 'Domine Fili Jesu Christe' as if they were singing 'O that we two were maying,' or 'There's Life in the Old Horse yet,' and to music which would disgrace a tenth-rate writer of music-hall songs. Or if it be a male choir, you hear thunderous basses without a note in tune, and emasculated tenors . . . engaged over worrying the most solemn words of the Creed as though they were prize dogs, and the Creed a pack of rats."

It was not that the pope cared for nothing but classical church music and Gregorian chant. He was a lover of all good music, whether sacred or secular. But he considered that operatic music, however beautiful, was unsuited to the sanctuary. It is possible to admire the pictures of Watteau, without desiring to see them used as altar-pieces.

In his first encyclical Pius had already touched on the question of Catholic social action. In his motu proprio of December 1903 he spoke still more definitely on the subject. Born and brought up in the midst of the people, he could thoroughly understand their needs. He foresaw also the dangers of rash and imprudent action which might rely too strongly on popular effort and influence. It was not the movement towards social reform itself which stood in need of being checked, but the extravagances of some over-enthusiastic reformers.

"Christian democracy," he declared, "must have for its basis the principles of Catholic faith and morals, and must be free of political parties." His great predecessor Leo XIII, having luminously traced the rules of Christian popular action in his famous encyclicals (continued Pius), his own desire was that those prudent rules should be exactly and fully observed. He had therefore decided to collect them in an abridged form that they might be for all Catholics a constant rule of conduct. After having laid down man's right to the use and permanent ownership of property, he passed on to the obligations of justice between masters and men, and the utility of aid societies and trades unions. Christian democracy, he maintained, had for its special aim the solution of the difficulties between labour and capital, but in order to do this effectually it must be based on the principles of the Catholic faith and morality; it must not be made use of for party purposes; it must be a beneficent activity for the people founded on the natural law and the precepts of the Gospel. Catholic writers, when upholding the cause of the people and the poor, were to beware of using language calculated to inspire ill-feeling between classes. Here, as in other matters, obedience to the laws of God and of the Church was to be the means to the solution of the many difficulties which existed. "Godliness is profitable to all things," he had said in his first encyclical, "and when this is whole and vigorous, in very truth the people shall sit in the beauty of peace."

In 1905 an apostolic letter to the Italian bishops defined still more clearly the lines of Catholic social action. "Such," he says, "is the power of the truth and morality taught by Jesus Christ, that even the material well-being of individuals, of the family and of human society receive support and protection." The civilization of the world is Christian civilization; the more frankly Christian, the more frankly true, the more lasting and the more productive of good fruit; the more it withdraws from the Christian ideal, so much the feebler does it become, to the great detriment of society. The Church has been throughout the ages the guardian and protector of Christian civilization. "What prosperity and happiness, what peace and concord, what respectful submission to authority, what excellent government would be established and maintained in the world if the perfect ideal of Christian civilization could be everywhere realized. But given the constant warfare of flesh with spirit, of darkness with light, of Satan with God, so great a good in its full measure can scarcely be hoped for. Yet this is no reason for losing courage. The Church goes fearlessly on, and while extending the Kingdom of God in places where it has not yet been preached, she strives by every means to repair the losses inflicted on the Kingdom already acquired." Once more the only means that can achieve the desired end are clearly pointed out: "To reinstate Jesus Christ in the family, the school and society; to re-establish the principle that human authority represents that of God; to take closely to heart the interests of the people, especially those of industrial and agricultural workers, to endeavour to make laws conformable to justice, to amend or suppress those which are not so . . . to defend and support the rights of God in everything, and the no less sacred rights of the Church."